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Shabti wakes in a barley field with nothing but a hoe in his hand and a head full of fragmented memories. A vicious master torments his days, working in the fields with no way of escape, until a hole suspended in mid-air, leads him to a room. Two shiny gold eyes glitter back at him. Questions. Who is he? And to where does this room lead? Amy arrives in Egypt to join her archaeologist father on an excavation. All around her tombs are unearthed, opened, entered. Left to her own devices, Amy discovers a rock. But not just any rock. A great tawny cat stares back at her from its smooth surface, its shiny gold eyes glittering. Questions. Where did it come from? And what should she do now? When past, present and future collide, it's clear that some things are best left buried ...
*** The New York Times Bestseller *** 'Lucy Adlington tells of the horrors of the Nazi occupation and the concentration camps from a fascinating and original angle. She introduces us to a little known aspect of the period, highlighting the role of clothes in the grimmest of societies imaginable and giving an insight into the women who stayed alive by stitching' - Alexandra Shulman, author of Clothes...and other things that matter 'Compelling... Adlington tells the stories of the women with clarity and steely precision' - Jewish Chronicle 'An utterly absorbing, important and unique historical read' - Judy Batalion, NY Times bestselling author of The Light of Our Days: The Untold Story of Wome...
TWO NATIONS AT WAR. ONE GIRL CAUGHT IN THE MIDDLE. Rain Aranoza is a teenage bomber-pilot from Rodina, a nation of science and fact ruled by the all knowing Aura, where the belief in witches or any type of superstition is outlawed. Rain's regiment is made up of only teenage girls and their role is vital to the war effort against the Crux, a nation of faith and belief, where nature and God are celebrated and worshipped. But Rain is struggling with another battle. She's always had a sense that her nature is different from everyone else's, and that a dormant power threatens to burst out of her. When she encounters a young Scrutiner she falls in love with him, but is torn between what she has been taught is right, and what feels right. As her understanding of her latent power grows, the enemy threatens both her friends and her love. She can no longer ignore the power but she must choose how she uses it ... But what will she lose in the process?
Young building worker, Toni V, finds a diary buried in a water can in the rubble of a construction site. He knows he should just hand it in to the Supervisor - that's the rule. But curiosity gets the better of him and he starts reading. At first the diarist, Pelly D, seems like any ordinary girl, writing about clothes, parties, boys. But underneath the light, sassy, often sarcastic narrative, Toni V begins to sense that something very different, sinister, and scary is unfolding. Set far in the future and on a distant planet, Pelly D's diary bears witness, through the eyes of a young girl, to the terrifying consequences of genetic classification.
World War One had catastrophic impact on the lives of millions, both on the battlefield and on the Home Front too. It was also a time of tremendous social upheaval, bringing new opportunities and freedoms. Whatever their wartime role - as nurses, naval officers, factory workers or footballers - women needed the right clothes for the job. From the luxurious silks of High Society, to the boots and breeches of the Women’s Land Army, Fashion: Women in World War One explores the impact of war on fashion 1914-1918 with unique images and beautiful original garments.
It is 10 years after the events in The Diary of Pelly D. A new life in The New Frontier overseas beckons Kat and Tanka, far from the terrible war in the cities, that took their parents. In a beautiful new home, Cherry Heaven, where people are building a young, liberal society, without focus on the genetic categorization and discrimination that led to the war. But all too soon Kat and Tanka find that Cherry Heaven carries haunting marks of the past. They cannot run from them, and must finally and turn and face them. Again, L. J Adlington weaves her narrative expertly from two voices, Kat, teenage, light, modern and knowing, the other a disturbed, fragmented narrative from another girl which peals away the surface of the New Frontier to expose a different and more disturbing truth. Exploring issues of postwar guilt and redemption, tension and reconciliation, framed in a fast-moving mystery, this has the same engrossing readability and accessibility as Pelly D.
October, 1946. The Red Cross escort a group of child refugees from Europe to England. Among them is Brigitta - a serious, silent figure with worn clothes and a small cardboard suitcase containing a single grey glove. Arriving in London, Brigitta breaks from the group and runs . . . Brigitta's mission: to reach Summerland Hall and find the one person who can solve a wartime mystery. But Summerland holds secrets and shadows of its own... and perhaps the key to a new life and new beginnings. An extraordinarily rich tale of love, prejudice, truth and forgiveness, inspired by real events.
'Captivates, inspires and ultimately enriches' Heather Morris, author of The Tattooist of Auschwitz Nominated for the CILIP CARNEGIE MEDAL 2019 As fourteen-year-old Ella begins her first day at work she steps into a world of silks, seams, scissors, pins, hems and trimmings. She is a dressmaker, but this is no ordinary sewing workshop. Hers are no ordinary clients. Ella has joined the seamstresses of Birkenau-Auschwitz, as readers may recognise it. Every dress she makes could mean the difference between life and death. And this place is all about survival. Ella seeks refuge from this reality, and from haunting memories, in her work and in the world of fashion and fabrics. She is faced with painful decisions about how far she is prepared to go to survive. Is her love of clothes and creativity nothing more than collaboration with her captors, or is it a means of staying alive? Will she fight for herself alone, or will she trust the importance of an ever-deepening friendship with Rose? One thing weaves through the colours of couture gowns and camp mud - a red ribbon, given to Ella as a symbol of hope.
S.A. Bodeen's The Compound is a 2009 Bank Street - Best Children's Book of the Year. Eli and his family have lived in the Compound for six years. The world they knew is gone. Eli's father built the Compound to keep them safe. Now, they can't get out. He won't let them.
Riffling through the wardrobes of years gone by, costume historian Lucy Adlington reveals the rich stories underlying the clothes we wear in this stylish tour of the most important developments in the history of fashion, from ancient times to the present day. Starting with underwear – did you know Elizabeth I owned just one pair of drawers, worn only after her death? – she moves garment by garment through Western attire, exploring both the items we still wear every day and those that have gone the way of the dodo (sugared petticoats, farthingales and spatterdashers to name but a few). Beautifully illustrated throughout, and crammed with fascinating and eminently quotable facts, Stitches in Time shows how the way we dress is inextricably bound up with considerations of aesthetics, sex, gender, class and lifestyle – and offers us the chance to truly appreciate the extraordinary qualities of these, our most ordinary possessions.