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Sagrada Família
The Sagrada Familia is Barcelona?s most-visited monument. Every year, over three million people walk within it. They are the anonymous patrons of the Basilica, whomake the work of some one hundred professionals possible, architects, building contractors, carpenters, stonemasons, model makers, sculptors, blacksmiths, for whom the Basilica is their also a place of work. Sagrada Familia. Behind the scaffolding gives a voice to these workers who carry out their day of work surrounded by tourists, parishioners, architecture students or mere admirers of the most famous work of Antoni Gaudí. It is hoped that the current momentum should be maintained until the end of 2026, date at which the construction will be completed, coinciding with the centenary of the passing of its creator.
Architecture in Formation
Architecture in Formation is the first digital architecture manual that bridges multiple relationships between theory and practice, proposing a vital resource to structure the upcoming second digital revolution. Sixteen essays from practitioners, historians and theorists look at how information processing informs and is informed by architecture. Twenty-nine experimental projects propose radical means to inform the new upcoming digital architecture. Featuring essays by: Pablo Lorenzo-Eiroa, Aaron Sprecher, Georges Teyssot, Mario Carpo, Patrik Schumacher, Bernard Cache, Mark Linder, David Theodore, Evan Douglis, Ingeborg Rocker and Christian Lange, Antoine Picon, Michael Wen-Sen Su, Chris Perr...
The Hidden Side of the Creative City
This book analyses issues related to the political use and economical misappropriation of urban cultural events, cultural infrastructures, public resources, and cultural traditions in the city of Valencia, Spain. It deals critically with a variety of sociological questions related to cultural production in the city, including geographical segregation as culturally defined in the city; misogyny and the peripheral role of women in traditional cultural events, xenophobia; and nationalism/regionalism. As such, the book will be useful to students and scholars of sociology of the arts, cultural policy, and museum management, and urban sociology.
Dialogue in the Med: Exploring Identity through Networks
Conference proceedings of the First Annual Valletta 2018 Conference held in Malta in 2014, in the build up to Valletta as European Capital of Culture. Contributions by: Jason Micallef, Evarist Bartolo, Owen Bonnici, Mostafa Hassani-Idrissi, Henry Frendo, Khadija El Bennaoui, Lluis Bonet, Christine M. Merkel, Karel Bartak, Carlo Testini, Ferdinand Richard, Nadia von Maltzahn, Enric Olivé Serret, Roger Tropeano, Giacomo Sferlazzo, Hatto Fischer, George Cassar, Anna Steinkamp, France Irmann, Jason Dittmer, Karsten Xuereb.
The Limits of Convergence
This work challenges the notion that globalization encourages economic convergence and cultural homogenization across national borders. By comparing organizational change in various countries, the author finds that global competition necessitates the exploitation of distinctive strengths.
The New Multinationals
A new breed of multinational companies is reshaping competition in global industries. For most of the 19th and 20th centuries, multinational firms came from the most technologically advanced countries in the world. Over the last two decades, however, new multinational firms from upper-middle-income economies (e.g. Spain, Ireland, Portugal, South Korea, and Taiwan), developing countries (e.g. Egypt, Indonesia, and Thailand), and oil-rich countries (e.g. United Arab Emirates, Nigeria, Russia, and Venezuela) have become formidable global competitors. These firms do not necessarily possess technological or marketing skills. In contrast to the classic multinationals, they found strength in their ability to organize, manage, execute, and network. They pursued a variety of strategies including vertical integration, product diversification, learning by doing, exploration of new capabilities, and collaboration with other firms. This book documents this phenomenon, identifies key capabilities of the new multinationals, and provides a new conceptual framework to understand its causes and implications.
Creative Production and Management in the Performing Arts
This volume takes stock of the ways in which the regimes of artistic creation and production intersect, lending special attention to emergent discourses and work models of producing and managing theatre, dance, and performance – through the lenses of creative producers. This book suggests that social protection failures, longstanding institutional shortcomings, and the dilemmas of social and environmental sustainability are pushing arts management and production modi operandi towards a review of its expansionist assumptions and managerial hyper-productivist processes. By documenting singular ‘counter-management’ experiences in Portugal, Belgium, France, and Brazil, this study makes a strong claim for a reassessment of the role of producers and art managers as reflective practitioners and as pivotal elements towards more sustainable artistic practices. This study will be of great interest to students and scholars in theatre and performance studies, policymakers, and cultural professionals.
Theatre Worlds in Motion
Theatre Worlds in Motion aims to clarify the different theatre traditions and practices in Western Europe from a historical and sociological perspective. The book grew out of a perceived need among theatre scholars who had recognised that, while they understood the theatre system of their own country, they often found it difficult to discover how it compared with other countries. The chapters analyse the basic components and dynamics of theatre systems in seventeen Western European nations in order to elucidate how the systems function in general and how they vary in different cultures. The book provides a sense of what has been happening recently in particular countries, and indicates how t...
Culture and International Trade Law
In this book, Juneyoung Lee analyses the nexus between trade and culture, from domestic, regional and global perspectives, combining the multidisciplinary perspectives of international law, sociology and international studies.
