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In this book Thomas H. Bestul constructs the literary history of the Latin Passion narratives, placing them within their social, cultural, and historical contexts. He examines the ways in which the Passion is narrated and renarrated in devotional treatises, paying particular attention to the modifications and enlargements of the narrative of the Passion as it is presented in the canonical gospels. Of particular interest to Bestul are the representations of Jews, women, and the body of the crucified Christ. Bestul argues that the greatly enlarged role of the Jews in the Passion narratives of the twelfth and thirteenth centuries is connected to the rising anti-Judaism of the period. He explores how the representations of women, particularly the Virgin Mary, express cultural values about the place of women in late medieval society and reveal an increased interest in female subjectivity.
"An interdisciplinary reassessment of the creation and reception of religious imagery, and of its place in the devotional practices of Castilian Christians, situated against the broader panorama of Spanish culture in the fourteenth and fifteenth centuries"--Provided by publisher.
Senses of Touch anatomizes the uniquely human hand as a rhetorical figure for dignity and deformity in early modern culture. It concerns a valuational shift from the contemplative ideal, as signified by the sense of sight, to an active reality, as signified by the sense of touch. From posture to piety, from manicure to magic, the book discovers touch in a critical period of its historical development, in anatomy and society. It features new interpretations of two landmarks of western civilization: Michelangelo's fresco of the Creation of Adam and Calvin's doctrine of election. It also accords special attention to the typing of women as sensual creatures by using their hands as a heuristic. Its alternative interpretations explore in theory and in practice the sensuality, the creativity, and the plain utility of hands, thus integrating biology and culture.
This volume presents a selection of essays undertaken by participants in an NEH Summer Seminar in 2004 on the topic of the seven deadly sins, viewed individually and as a whole, as part of the Begriffsgeschichte of the Middle Ages and beyond in which concepts are constructed within the cultural milieus in which they function. The essays in the first part study the political and social ethics of medieval communities. In the second part, the institutional imperatives within the Church of formulating and teaching about the capital vices are the focus of research. In the final section, the contributions deal with ways in which secular artists and authors (in particular, Dante) contribute to the cultural construction of the vices. Contributors include: Dwight D. Allman, Bridget K. Balint, V. S. Benfell III, Dallas G. Denery II, Laura D. Gelfand, Susan E. Hill, Holly Johnson, Hilaire Kallendorf, John Kitchen, Rhonda L. McDaniel, Richard Newhauser, Thomas Parisi, and Derrick G. Pitard.
English translations of the author's most important articles.
This volume reveals the political, religious, theological, institutional, and mythical ideals that formed the self-identity of the Augustinian Order from Giles of Rome to the emergence of Martin Luther. Based on detailed philological analysis, this interdisciplinary study not only transforms the understanding of Augustine's heritage in the later Middle Ages, but also that of Luther's relationship to his Order. The work offers a new interpretative model of late medieval religious culture that sheds new light on the relationship between late medieval Passion devotion, the increasing demonization of the Jews, and the rise of catechetical literature. It is the first volume of a planned trilogy that seeks to return late medieval Augustinian theology to the historical context of Augustinian religion.
In The Horoscope of Emperor Baldwin II Filip Van Tricht presents a microstudy of political, social and cultural life in Latin-Byzantine Constantinople and Romania. A ‘new’ set of sources is used to question the traditionally negative view of the Byzantine capital under Latin rule. Combined with an analysis of other underused historical materials, mid-13th century Latin-Byzantine Constantinople is redefined as a city that—in spite of the Western conquest during the Fourth Crusade—remained dynamic, with vibrant internal and international politics, and with interesting developments in the social, religious, artistic, and scientific spheres. Against the background of a shared Roman past the metropolis on the Bosporus became a fascinating laboratory of Latin-Byzantine interaction.
The cult of the Christ Child flourished in late medieval Europe across lay and religious, as well as geographic and cultural boundaries. Depictions of Christ's boyhood are found throughout popular culture, visual art, and literature. The Christ Child in Medieval Culture is the first interdisciplinary investigation of how representations of the Christ Child were conceptualized and employed in this period. The contributors to this unique volume analyse depictions of the Christ Child through a variety of frameworks, including the interplay of mortality and divinity, the medieval conceit of a suffering Christ Child, and the interrelationships between Christ and other figures, including saints and ordinary children. The Christ Child in Medieval Culture synthesizes various approaches to interpreting the cultural meaning of medieval religious imagery and illuminates the significance of its most central figure.
Examines Balthasar's recovery of the doctrine of the spiritual senses in the mid-20th century, focusing on his model of the perceptual faculties through which one beholds the form that God reveals.
The Vita Christi, a spiritual classic of the fourteenth century by the Carthusian Ludolph of Saxony, was an early and extremely comprehensive book of meditations on the events recorded in the gospels. A popular and influential book for centuries, it was instrumental in the conversion of Ignatius Loyola, and Teresa of Avila directed that every convent of her reform include "the Carthusian" in its library. This volume, which consists of excerpts from the full Vita Christi (forthcoming from Cistercian Publications), presents Ludolph's meditations on the resurrection and the appearances of the risen Christ, concluding with Pentecost. Although shelves of books are dedicated to Christ's passion, comparatively little spiritual reading for the Easter Season exists. This book is intended to help fill that lacuna and to introduce readers to this classic text.