Catharine Abell provides a unified solution to a wide range of philosophical problems raised by works of fiction. Drawing particular attention to the epistemology of fiction, she provides new accounts of the nature of fictive utterances, the process by which fictional entities are created, and the norms governing their interpretation.
The Images of Time presents a philosophical investigation of the nature of time and the mind's ways of representing it. Robin Le Poidevin examines how we perceive time and change, the means by which memory links us with the past, the attempt to represent change and movement in art, and the nature of fictional time. These apparently disparate questions all concern the ways in which we represent aspects of time, in thought, experience, art and fiction. They also raise fundamental problems for our philosophical understanding, both of mental representation, and of the nature of time itself. Le Poidevin brings together issues in philosophy, psychology, aesthetics, and literary theory in examining...
Samuel Johnson famously referred to his future biographer, the unsociable magistrate Sir John Hawkins, as “a most unclubbable man." Conversely, this celebratory volume gathers distinguished eighteenth-century studies scholars to honor the achievements, professional generosity, and sociability of Greg Clingham, taking as its theme textual and social group formations. Here, Philip Smallwood examines the “mirrored minds” of Johnson and Shakespeare, while David Hopkins parses intersections of the general and particular in three key eighteenth-century figures. Aaron Hanlon draws parallels between instances of physical rambling and rhetorical strategies in Johnson’s Rambler, while Cedric D. Reverand dissects the intertextual strands uniting Dryden and Pope. Contributors take up other topics significant to the field, including post-feminism, travel, and seismology. Whether discussing cultural exchange or textual reciprocities, each piece extends the theme, building on the trope of relationship to organize and express its findings. Rounding out this collection are tributes from Clingham’s former students and colleagues, including original poetry.
Aesthetics: 50 Puzzles, Paradoxes, and Thought Experiments is a teaching-focused resource, which highlights the contributions that imaginative scenarios—paradoxes, puzzles, and thought experiments alike—have made to the development of contemporary analytic aesthetics. The book is divided into sections pertaining to art-making, ontology, aesthetic judgements, appreciation and interpretation, and ethics and value, and offers an accessible summary of ten debates falling under each section. Each entry also features a detailed annotated bibliography, making it an ideal companion for courses surveying a broad collection of topics and readings in aesthetics. Key Features: Uses a problem-centered approach to aesthetics (rather than author- or theory-centered) making the text more inviting to first-time students of the subject Offers stand-alone chapters, allowing students to quickly understand an issue and giving instructors flexibility in assigning readings to match the themes of the course Provides up-to-date, annotated bibliographies at the end of each entry, amounting to an extensive review of the literature on contemporary analytic aesthetics
Throughout history the motif of ‘the Fall’ has impacted upon our understanding of theology and philosophy and has had an influence on everything from literature to dance. Fall Narratives brings together theologians, historians and artists as well as philosophers and scholars of religion and literature, to explore and reflect on a wide range of concepts of the Fall. Bringing a fresh understanding of the nuanced meanings of the Fall and its various manifestations over time and across space, contributions reflect on the ways in which the Fall can be seen as a transition into absence; how conceptions of the Fall relate to, change, and shape one another; and how the Fall can be seen positively, embracing as it does a narrative of hope.
The first book-length study of complaint in Shakespearean drama, arguing that poetic forms of complaint--expressions of discontent and unhappiness--operate as sites of thought about human flourishing; and that Shakespearean configurations of these forms of complaint in theatrical scenes model new ways of thinking about ethical subjectivity.
Scholars and students of modern literature; anyone with an interest in the work of Thomas Mann.
This is the first comprehensive book on the philosophy of time. Leading philosophers discuss the metaphysics of time, our experience and representation of time, the role of time in ethics and action, and philosophical issues in the sciences of time, especially quantum mechanics and relativity theory.
Arguably the most famous and recognized detective in history, Sherlock Holmes is considered by many to be the first pop icon of the modern age. Sir Arthur Conan Doyle's fictional detective has stood as a unique figure for more than a century with his reliance on logical rigor, his analytic precision, and his disregard of social mores. A true classic, the Sherlock Holmes character continues to entertain twenty-first-century audiences on the page, stage, and screen. In The Philosophy of Sherlock Holmes, a team of leading scholars use the beloved character as a window into the quandaries of existence, from questions of reality to the search for knowledge. The essays explore the sleuth's role in revealing some of the world's most fundamental philosophical issues, discussing subjects such as the nature of deception, the lessons enemies can teach us, Holmes's own potential for criminality, and the detective's unique but effective style of inductive reasoning. Emphasizing the philosophical debates raised by generations of devoted fans, this intriguing volume will be of interest to philosophers and Holmes enthusiasts alike.
Over the past few years, the tree model of time has been widely employed to deal with issues concerning the semantics of tensed discourse. The thought that has motivated its adoption is that the most plausible way to make sense of indeterminism is to conceive of future possibilities as branches that depart from a common trunk, constituted by the past and the present. However, the thought still needs to be further articulated and defended, and several important questions remain open, such as the question of how actuality can be understood and formally represented in a branching framework. The present volume is intended to be a 360 degree reflection on the tree model. The contributions is gathers concern the model and its alternatives, both from a semantic and from a metaphysical point of view.