This first volume in The Complete Letters of Henry James, 1888–1891 contains 171 letters, of which 119 are published for the first time, written from late November 1888 to April 20, 1890. These letters continue to mark Henry James’s ongoing efforts to care for his sister, develop his work, strengthen his professional status, build friendships, engage with timely political and economic issues, and maximize his income, which included hiring an agent. James details his work on The Tragic Muse, “Mrs. Temperly,” “An Animated Conversation,” “The Solution,” and other fiction. This volume opens with James in France and concludes with James on the Continent. Dee MacCormack introduces the volume, paying close attention to James’s increasing interest in the theater.
divDomesticity is generally treated as an aspect of women’s history. In this fascinating study of the nineteenth-century middle class, John Tosh shows how profoundly men’s lives were conditioned by the Victorian ideal and how they negotiated its many contradictions. Tosh begins by looking at the experience of boyhood, married life, sex, and fatherhood in the early decades of the nineteenth century—illustrated by case studies representing a variety of backgrounds—and then contrasts this with the lives of the late Victorian generation. He finds that the first group of men placed a new value on the home as a reaction to the disorienting experience of urbanization and as a response to th...
This volume of The Complete Letters of Henry James, 1883–1884 includes 125 letters, of which 72 are published for the first time, written from January 29, 1884, to November 9, 1884. The letters mark Henry James’s confidence and achievements as an internationally important professional writer, including his participation in conceiving and carrying out with editors and publishers complicated plans to distribute his work and maximize his income. James details his work on mid-career novels The Bostonians and The Princess Casamassima as well as work on a number of tales that would help to define his career. This volume concludes with James’s anticipation of the arrival in England from the United States of his sister, Alice, who would never again return to her homeland.
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This book analyses the significance of the special correspondent as a new journalistic role in Victorian print culture, within the context of developments in the periodical press, throughout the second half of the nineteenth century. Examining the graphic reportage produced by the first generation of these pioneering journalists, through a series of thematic case studies, it considers individual correspondents and their stories, and the ways in which they contributed to, and were shaped by, the broader media landscape. While commonly associated with the reportage of war, special correspondents were in fact tasked with routinely chronicling all manner of topical events at home and abroad. What distinguished the work of these journalists was their effort to ‘picture’ the news, to transport readers imaginatively to the events described. While criticised by some for its sensationalism, special correspondence brought the world closer, shrinking space and time, and helping to create our modern news culture.
Composed of serialized works, poems, short tales, and novellas, Charlotte Brontë's juvenilia merit serious scholarly attention as revelatory works in and of themselves as well as for what they tell us about the development of Brontë as a writer. This timely collection attends to both critical strands, positioning Brontë as an author whose career encompassed the Romantic and Victorian eras and delving into the developing nineteenth century's literary concerns as well as the growth of the writer's mind. As the contributors show, Brontë's authorship took shape among the pages of her juvenilia, as figures from Brontë's childhood experience of the world such as Wellington and Napoleon transmuted to her fictional pages, while her siblings' works and worlds both overlapped with and extended beyond her own.
Few people seeking to avoid the glare of publicity have had more of it turned on them than Charlotte Brontë's husband, Arthur Bell Nicholls. Some critics have implied that he not only put a stop to her writing but might even have inadvertently caused her death. Alan Adamson's biography takes recent scholarship into account and adds new material about Nicholl's family, education, and early life in Ireland to give a more balanced view. The book explores why Brontë, cool and often hostile towards Nicholls in the early days of his curacy at Haworth, came to respect and love him, and how Patrick Brontë, her difficult father, grew to rely on him after her death. Drawing on Nicholl's correspondence with, among others, Elizabeth Gaskell, Ellen Nussey and Harriet Martineau, Mr Charlotte Brontë: The Life of Arthur Bell Nicholls presents a compelling picture of Nicholls' efforts to emphasize Brontë's literary reputation and curtail speculation about her private life.
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves.