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Grupo TA.LI.UM.
Cuando la desaparición del libro físico sea inminente, las reliquias en los museos sean devoradas por el fuego censor y de la arqueología de la lectura no quede nada, yo atesoraré aún más esta “saga” de antologías del Grupo Ta.li.U.M., no por mi nombre como editor, sino porque el genio de la literatura le permitió a cada autor cuestionamientos y transformaciones de algunas realidades en ficción, desde ese ilusorio universo en sus mentes, con versos o tramas, para enfrentarse a un tiempo de injusticias, muerte y desinformación. Los doce trabajos poéticos dan cuenta de introspecciones recreadas en múltiples ámbitos de la cotidianidad; los veinte narrativos apuntan a secuencias...
Antología literaria TALIUM
Conmemorando sus “Bodas de cristal” el Grupo TA. LI. U. M., el Taller Literario de la Universidad del Magdalena, regresa con la presente “joya” su IV ANTOLOGÍA LITERARIA, producto de la extracción diaria de piedras preciosas, a través de lecturas, comentarios, sugerencias, revisiones y correcciones de poemas, cuentos de 30 jóvenes escritores y poetas -más la entrevista a su declamadora- (estudiantes, contratistas, graduados y un invitado especial) asistentes a las sesiones regulares del grupo, y los aportes del minero en cada veta. Es la muestra final del trabajo realizado durante el año lectivo 2019 y parte de 2020 que representa presente y futuro de la literatura del departamento del Magdalena, de la región Caribe y del país en general
Anarchism in Latin America
The available material in English discussing Latin American anarchism tends to be fragmentary, country-specific, or focused on single individuals. This new translation of Ángel Cappelletti's wide-ranging, country-by-country historical overview of anarchism's social and political achievements in fourteen Latin American nations is the first book-length regional history ever published in English. With a foreword by the translator. Ángel J. Cappelletti (1927–1995) was an Argentinian philosopher who taught at Simon Bolivar University in Venezuela. He is the author of over forty works primarily investigating philosophy and anarchism. Gabriel Palmer-Fernandez is Distinguished Professor of Philosophy and Religious Studies at Youngstown State University.
Earth Stewardship
This book advances Earth Stewardship toward a planetary scale, presenting a range of ecological worldviews, practices, and institutions in different parts of the world and to use them as the basis for considering what we could learn from one another, and what we could do together. Today, inter-hemispheric, intercultural, and transdisciplinary collaborations for Earth Stewardship are an imperative. Chapters document pathways that are being forged by socio-ecological research networks, religious alliances, policy actions, environmental citizenship and participation, and new forms of conservation, based on both traditional and contemporary ecological knowledge and values. “The Earth Stewardship Initiative of the Ecological Society of America fosters practices to provide a stable basis for civilization in the future. Biocultural ethic emphasizes that we are co-inhabitants in the natural world; no matter how complex our inventions may become” (Peter Raven).
Emma Goldman
Emma Goldman has often been read for her colorful life story, her lively if troubled sex life, and her wide-ranging political activism. Few have taken her seriously as a political thinker, even though in her lifetime she was a vigorous public intellectual within a global network of progressive politics. Engaging Goldman as a political thinker allows us to rethink the common dualism between theory and practice, scrutinize stereotypes of anarchism by placing Goldman within a fuller historical context, recognize the remarkable contributions of anarchism in creating public life, and open up contemporary politics to the possibilities of transformative feminism.
Cultural Transfer and Political Conflicts
Film festivals during the Cold War were fraught with the political and social tensions that dominated the world at the time. While film was becoming an increasingly powerful medium, the European festivals in particular established themselves as showcases for filmmakers and their perceptions of reality. At the same time, their prestigious, international character attracted the interest of states and private players. The history of these festivals thus sheds light not only on the films they made available to various publics, but on the cultural policies and political processes that informed their operations. Presenting new research by an international group of younger scholars, Cultural Transfer and Political Conflicts critically investigates postwar history in the context of film festivals reconstructing not only their social background and international dispensation, but also their centrality for cultural transfers between the East, the West and the South during the Cold War.
Painting a New World
"The little-known story of viceregal Mexico is told by an international team of scholars whose work was previously available only piecemeal or not at all in English. Much of their research was undertaken especially for this volume."--BOOK JACKET.
Ruptures: Anti-colonial & Anti-racist Feminist Theorizing
This book provides tools and theoretical frameworks to make sense of how the world is regulated, governed, controlled with regard to the exclusivity of certain members of the society, and in particular, women from marginalized groups. This book, therefore, engages readers by asking thought-provoking questions to interrogate issues of marginality and oppression in society. The book, as a collective, provides an intellectual discourse on feminism, anticolonial thought and anti-racism. This book is a must read for scholars, activists, theorists and researchers who are seeking to rupture the borders of confinement and move beyond the imaginary margins created by organized structures in society.
The Danube Basin
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Shooting Stars of the Small Screen
Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women. Shooting...
