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Looks at a variety of beads produced around the world, discusses their religious and social aspects, and describes beaded clothing in primitive societies. Reprint.
For collectors, beadworkers, and enthusiasts, this is an abridged edition of Abrams' enormously popular History of Beads. It shows how beads have played an important role throughout the world for 40,000 years -- as talismans, status symbols, amulets, and for adornment and barter. Included is the remarkable full-color, eight-page foldout time line of bead history, which places over 2,000 important bead types in cultural and historic context. Copyright © Libri GmbH. All rights reserved.
Discusses the traditional adornment of North American Indians, covering the furs of the subarctic, the shells of the woodland tribes, the plateau area beadwork, the Northwest Coast jewelers, and the turquoise of the Southwest.
Issued in connection with an exhibition held March 15, 2014-April 26, 2015, the Autry National Center of the American West in Griffith Park, Los Angeles, California.
Since its publication in 1987, The History of Beads has become the world's definitive guide for bead lovers, collectors, and scholars. In this new edition, bead expert Lois Sherr Dubin updates all chapters with the latest archeological discoveries, opens a new chapter on contemporary adornment since the 1980s, with a focus on glass beads, and best of all, adds 200 beads to what is considered by many to be the piece de resistance: the eight-page gatefold timeline that guides readers through the remarkably rich history of the world's first form of adornment. The latest revisions include the oldest bead ever discovered, dating to 108,000 b.c. and explain why beads worn on the human body were the original media communication system. Updates include the numerous maps scattered throughout, which have been modernized and are now in color; 72 formerly black-and-white images have been replaced with full color; and 125 new photographs were added to this edition. Beautifully packaged with a new cover, this revised and expanded edition is a must-have for devotees of the first edition and for the next generation of bead obsessives and aficionados.
This history of beads covers a range of bead materials such as precious and semiprecious stones, shells, bone, coral, amber and many more. It includes over 100 illustrations, reproducing beads from every world region and every major historic culture.
The jewelry of Jesse Monongya is fully described and each piece tells a story that combinnes authentic concepts from his culture with cutting edge materials and techniques. 142 colour & 30 b/w illustrations
African Beads: Jewels of a Continent is the first book dedicated exclusively to African-made beads. In detailed chapters organized by material (bone and shell, wood and amber, stone, metal, glass) authors Evelyn Simak and Carl Dreibelbis trace the historical journey of bead making in Africa. Prefaced with an essay by Lois Sherr Dubin and accompanied by 163 color photographs, this magnificent book is a showcase for some of the rarest, most beautiful and most collectible beads in the world.
Using a combination of tapestry, and lace-making techniques- Barbara Natoli Witt's necklaces are stunning intricate webs of ancient beads, colored threads, artifacts and gem stones from Asia, Africa, the Americas and Europe. Nartoli Witt was a pioneer in the wearable art movement that began in San Francisco and has been creating her necklaces for over 40 years.
Grand Procession celebrates a remarkable new tradition-based, contemporary American Indian art form. From a heritage rooted in dolls and ledger-book drawings, a fresh and exciting sculptural art featuring human and animal figures has evolved since the mid-1980s. Typically around two feet tall and meticulously clothed in elaborate beaded and quilled ceremonial dress, the figures carefully emulate Plains and Plateau traditions of the mid-nineteenth to early twentieth centuries. The premier collection of these figures, created by five award-winning Native American women artists--Rhonda Holy Bear (Lakota), Jamie Okuma (Luiseno), and the Growing Thunder family (Assiniboine-Sioux): Joyce Growing Thunder, her daughter Juanita Growing Thunder Fogarty, and granddaughter, Jessica Growing Thunder--has been brilliantly assembled by Charles and Valerie Diker. While each figure is a strong work of art, the assemblage of figures is particularly powerful. Beautifully illustrated, this volume will appeal to all those interested in American Indian art and crafts, contemporary and historic Indian lifeways, sculpture, and dolls. Grand Procession crosses many boundaries.