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“The deep relevance and the nuanced portrayal of the myriad effects of abuse on [the characters] lives are skillfully done. Layered and disquieting.” —Kirkus Reviews Award-winning author Lola Lafon continues her exploration of the psyches of young girls–their fragility, their resilience. Fontenay, a Parisian suburb, 1984. Cléo is twelve when her parents prod her into taking ballet classes. She drops out after a long year of feeling lost, not classy nor graceful enough, and undoubtedly not as rich as the other kids. By chance, she signs up for Modern Jazz class at a MJC–a state funded organization whose mission is to provide access to art and culture to all children. Modern Jazz is...
An impassioned novel on the consequences of sexual exploitation and the dead ends of forgiveness 13-year-old Cléo lives a drab existence with her parents in a suburb of Paris. Her life changes when she is offered the chance to obtain a scholarship – issued by a mysterious Foundation - to realise her dream and become a modern jazz dancer. But there is more to the Foundation and their suave representative than meets the eye. Soon Cléo finds a trap has closed in on her, and she's fallen prey to a sinister system in which she'll eventually become complicit. Over 30 years later, a cache of images surfaces on the internet and exposes the Foundation's exploitative, hidden purposes. The police put out a call for witnesses, and Cléo, now with a successful career as a dancer behind her, comes to realise the past has come back to haunt her. As her sense of self diffracts into multiple, contrasting images, there's no way out but to confront her double burden as victim and predator.
The Montreal Olympics, 1976. A fourteen-year-old girl steps out onto the floor of the Montreal Forum and into history. Twenty seconds on the uneven bars is it all it takes for Nadia Comaneci, the slight, unsmiling child from Communist Romania, to etch herself into the collective memory. The judges award her an unprecedented perfect ten, the first in Olympic gymnastics. In The Little Communist Who Never Smiled, Lola Lafon weaves an intricate web of truth and fiction around Comaneci's life, from her discovery by legendary gymnastics coach Béla Károlyi up to her defection to the United States in 1989. Adored by young girls in the West and appropriated as a political emblem by the Ceausescu regime, Comaneci was a fearless, fiercely determined child whose body would become a battleground in the Cold War story of East against West. Lafon's novel is a powerful re-imagining of a childhood in the spotlight of history, politics and destiny.
"The story centers on two young women: Voltairine, a dancer who no longer dances but whose body is still haunted by the movement of dance, and her soulmate Emile, a young woman recovering from unexpected cardiac arrest.... Later, at the cinematheque, Voltairine and Emile meet a young girl whom they call "the little girl at the end of the lane," who is obsessed by the Haymarket Affair of 1886.... We Are the Birds of the Coming Storm explores repression, revolt, and madness, telling a story that is not only revolutionary but also cautionary--of three women who let their spirits fly like birds as the daunting storm ascends."--online abstract
'The Wonders is a poet's novel, delicate but strong, impressing its images firmly on the imagination' HILARY MANTEL, two-time winner of the Booker Prize 'Full of brilliant moments of illumination... a boldly ingenious structure and flashes of beauty' GUARDIAN 'Mesmerising. Medel's prose is hypnotic – it's hard to believe this is her first novel.' AVNI DOSHI, author of the Booker Prize-shortlisted Burnt Sugar 'A serene and impious novel that puts class, feminism and the eternal complexity of family ties at the fore' MARIANA ENRÍQUEZ, author of the International Booker Prize-shortlisted The Dangers of Smoking in Bed AN AUDACIOUS, HEARTBREAKING DEBUT ABOUT WORKING-CLASS WOMEN'S LIVES ACROSS ...
*Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay* Selected as a Book of the Year 2016 by the Financial Times, Guardian, New Statesman, Observer, The Millions and Emerald Street 'Flâneuse [flanne-euhze], noun, from the French. Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.' If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibi...
Now in paperback, Katharina Winkler's heartbreaking saga of a tenacious woman trapped in an abusive marriage. 'Blue jewellery' is private property. Not to be seen. Not to be talked about. It is worn like a bracelet around the wrists, on ribs, legs, arms. Blue jewellery is another name for the marks left on women's bodies, inflicted by the men around them. This novel tells the story of Filiz and Yunus. When Filiz meets Yunus, he is young and beautiful, and Filiz is proud that he wants her. Against her father's wishes, they marry when she is thirteen. Yunus is her entire universe, all encompassing, all powerful. Soon after the wedding, Filiz's dream of living in the West with her husband, of e...
Finalist for the French-American Florence Gould Translation Prize A novel by the iconic Simone de Beauvoir of an intense and vivid girlhood friendship that, unpublished in her lifetime, displays “Beauvoir's genius as a fiction writer”(Wall Street Journal) From the moment Sylvie and Andrée meet in their Parisian day school, they see in each other an accomplice with whom to confront the mysteries of girlhood. For the next ten years, the two are the closest of friends and confidantes as they explore life in a post-World War One France, and as Andrée becomes increasingly reckless and rebellious, edging closer to peril. Sylvie, insightful and observant, sees a France of clashing ideals and ...
The great Latin American writer: an inspiration to Vargas Llosa and Carlos Fuentes
Three wordless novels by a master, told in 206 Expressionistic woodcuts: The Sun, a struggle with destiny; The Idea, a concept's triumph over suppression; and Story Without Words, a poignant romance.