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The Empty House
Curl up with a collection of mystery and horror tales from an author whom many critics regard as one of the masters of the genre. The Empty House and Other Ghost Stories showcases some of Algernon Blackwood's finest -- and most spine-tingling -- short fiction. Whether you're a longtime fan of Blackwood's work or a first-time reader who's curious about this giant of the genre, you're in for a deliciously spooky ride.
John Nash
Responsible for the creation of Regent Street, Regent's Park, the Brighton Pavilion and Buckingham Palace, John Nash is recognised as one of the most important architects of the late 18th and early 19th century Britain. This book brings together recent scholarship, and introduces this architect to a new generation.
American Fiction, 1901-1925
A 1997 bibliography of American fiction from 1901-1925.
Mis/takes
Mis/takes departs from the bulk of screen discourse by applying Jungian and Post-Jungian ideas on unconscious processes to popular film and television. This perspective offers a rich insight into the way that various myths infiltrate popular culture. By examining the function of psychological motifs and symbols in cinema and television, Terrie Waddell opens up another way of thinking about how identity can be constructed and disrupted. Mulholland Drive, Memento, The Others, The X-Files, Twin Peaks, The Sopranos, Spider, Intimacy and Absolutely Fabulous all lend themselves to this approach. The close analysis of these films/programs are guided by a number of core archetypes from trickster and Self to incest and the grotesque. The book’s four parts reflect these dominant patterns: Jung, trickster and the screen Mistaken identities, self-deception and the undead Redeemers, bad dads and matricide Excesses of the sad and the sassy Mis/takes gives readers a chance to engage with screen material in an original and subversive way. This study will be of great interest to Jungian analysts and students of film, cultural studies, media, gender studies and analytical psychology.
William and Lucy
The marriage of William Michael Rossetti (1829-1919) and Lucy Madox Brown (1843-1894) united two of the most resonant Pre-Raphaelite family names. Their passionate and ultimately tragic relationship - described here for the first time - provides a fresh perspective on nineteenth-century marriage and on the private lives of eminent Victorians. Sibling of Dante Gabriel and Christina Rossetti, William was one of the original Pre-Raphaelite 'Brothers,' a Bohemian, radical author, poet, critic, artist, connoisseur, biographer, historian, and taxman. Lucy, the intense, intellectual daughter of Ford Madox Brown, was an ambitious artist and biographer of Mary Shelley in spite of struggling with tube...
English Aristocratic Women, 1450-1550
This work, based on archival research, combines a collective portrait of aristocratic women with an analysis of the particular, class-specific form of patriarchy and gender relations that flourished among the upper classes in Yorkist and early Tudor England.
The Baker Who Pretended to Be King of Portugal
The author explores the conspiracy of Gabriel de Espinosa who attempted to pass himself off as the deceased King Sebastian of Portugal sixteen years after his death. Through this the author explores how stories - regarding such topics as prophecies of returned leaders, nuns kept against their will, kidnappings by Moors, etc. - are conceived, told, circulated, and believed.
Catalog of Copyright Entries. New Series
Part 1, Books, Group 1, v. 22 : Nos. 1-131 (Issued April, 1925 - April, 1926)
Women's Theatrical Memoirs, Part I Vol 1
By the close of the Eighteenth Century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection offers accounts of the late eighteenth-century stage, which provide insights into contemporary constructions of gender, sexuality and fame.
