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Macmillan: A Publishing Tradition, 1843-1970
For over one hundred and fifty years, since its founding in 1843, Macmillan has been at the heart of British publishing. This collection of essays, representing recent research in the archives at the British library, examines the firms' astute business strategy during the nineteenth century, its successful expansion into overseas markets in America and India, its complex and intriguing relations with authors such as Matthew Arnold, Thomas Hardy, Alfred Lord Tennyson, W.B.Yeats, and J.M.Keynes, with additional chapters on Macmillan Magazine and the work of a modern children's editor.
London: An Illustrated Literary Companion
London: An Illustrated Literary Companion, compiled by Rosemary Gray, captures the varying moods of the great city over recent centuries, through diary entries, with quotations, poems, essays and extracts from great works written in its honour. It is beautifully illustrated with drawings and engravings from distinguished artists, including Gustave Doré, George Cruikshank, James McNeill Whistler and Hugh Thomson, and contains contemporary prints and photographs. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
This is London
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Macmillan
For over one hundred and fifty years, since its founding in 1843, Macmillan has been at the heart of British publishing. This collection of essays, representing recent research in the archives at the British library, examines the firms' astute business strategy during the nineteenth century, its successful expansion into overseas markets in America and India, its complex and intriguing relations with authors such as Matthew Arnold, Thomas Hardy, Alfred Lord Tennyson, W.B.Yeats, and J.M.Keynes, with additional chapters on Macmillan Magazine and the work of a modern children's editor.
Macmillan
These political biographies are intended to analyse in depth the real men lurking behind the personality cults of great contemporary statesmen. Their purpose is to explain how such political leaders as Mao Tse-Tung and Macmillan, de Gaulle and Stalin formed their political outlooks, to examine how they gained power and how they held and exercised it, and to suggest what each has come to epitomize in the eyes of his own nation and of the world at large. The political career of Harold Macmillan culminated in one of the greatest enigmas in the politics of the last hundred years: an intellectual, sensitive, aristocratic Prime minister whose premiership is now remembered chiefly for its profligacy, scandal and vulgarity. In the thirties Macmillan was one of the first to understand the significance of Keyne's economic theories, to apprehend the growing menace of Hitler and to accept Britain's changing place in the coming Imperial revolution. In the sixties as Prime Minister he led a regime notable for Premium Bonds, gaming saloons, "Never had it good", government scandals and a mismanagement of resources which brought England to the edge of crisis.
The Culture of the Publisher’s Series, Volume One
This volume focuses on the publisher's series as a cultural formation - a material artefact and component of cultural hierarchies. Contributors engage with archival research, cultural theory, literary and bibliometric analysis (amongst a range of other approaches) to contextualize the publisher's series in terms of its cultural and economic work.
Fictions of the City
Many studies of fictions of city life take the flâneur as the characteristic metropolitan type and streets and plazas as definitive urban spaces. Looking at novels and films set in London and Paris from L'Assommoir to Nil By Mouth , this book shows that mass housing is equally central to images of the modern city.
Transparent Imprint
When news of Macmillan’s planned ‘first novels’ imprint leaked out in the Spring of last year, there was extensive coverage in the press, on radio and on web blogs. The Guardian called it ‘Ryanair publishing’. Robert McCrum, writing in the Observer, deplored it as a marketing-led initiative and said publisher Mike Barnard had shown an ‘astounding abdication of cultural responsibility’. Jonny Geller of agent Curtis Brown said, ‘I don’t think there is a hope in hell of this succeeding’. There were stories that authors would have to pay for their own editing, the books would only be printed on demand, and bookshops would not touch them. Even the Washington Post carried the s...
London
Take a trip to London! Lift the giant flaps to reveal what's underneath, including lots of interesting textures! Feel the shiny London taxi, the soldier's furry hat and stroke the policeman's horse! With something to spot or count on every spread too, this colorful book will provide lots of fun for older babies and toddlers. Marion Billet's bright and friendly illustrations really bring the London scenes to life, making them appealing to younger readers and perfectly complementing the carefully chosen textured panels to touch.
Screening the Novel
The book takes as its theme the relationship between literature and the contemporary means of production and distribution collectively termed 'the media' - in particular, film and television. The intention of the book is to explore and evaluate the mutual opportunities and restrictions in this relationship. In the grammar of our culture there seems to be an accepted opinion that print is superior in terms of cultural production to film, radio or television, that to read a book is somehow a 'higher' cultural activity than seeing a play on television or seeing a film. By the same token, a novel is a 'superior' work of art to film or television. The longer perspective reveals that traditionally there always is a greater respect paid to the previous mode of literary production - poetry was superior to drama, poetic drama was superior to the novel, and film attained cult and classic status initially over television.
