Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
London Survivals
None
Audition Speeches for 6-16 Year Olds
Intended for students and children taking part in speech and drama competitions and exams, this book contains a range of audition speeches. It includes female, male and unisex speeches selected from both plays and children's books. Where relevant the author has indicated how a speech could be shortened for younger children. There is also an introductory section with contributions from Alan Ayckbourn, Carol Schroder (teacher and examiner for the London Academy of Music and Dramatic Art), Richard Carpenter (TV writer) and Ed Wilson (Director of the National Youth Theatre) and senior casting directors for the RSC, TV and film. This edition has been freshly revised to include 10 new speeches from well known recent productions as well as children's books including Harry Potter. 'A superb compilation' Amateur Stage
Lord Methuen and the British Army
This study analyzes the readiness of the British military establishment for war in 1899 and its performance in the South African War (1899-1902). It focuses on the career of Field Marshal Paul Sanford, 3rd Baron Methuen, whose traditional military training, used so effectively in Queen Victoria's small wars, was put to the test by the modern challenges of the South African War. A subsidiary aim of this work is to correct and refine the historical consensus that Methuen's campaing in the South African War was plagued by practical errors and poor judgement. The South African War was a crucial transitional episode in the history of the British army. Unlike Great Britain's other expeditions, it required the concentrated resources of the entire empire. It was a modern war in the sense that it employed the technology, the weaponry, the communications, and the transportation of the second industrial revolution.
Adorno and Modern Theatre
Adorno and Modern Theatre explores the drama of Edward Bond, David Rudkin, Howard Barker and Sarah Kane in the context of the work of leading philosopher Theodor W. Adorno (1903-1969). The book engages with key principles of Adorno's aesthetic theory and cultural critique and examines their influence on a generation of seminal post-war dramatists.
