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The book examines the various ways in which theatre responds to our psychological needs. It begins with how we present our own personal drama and goes on to look at theatre as the means by which we give events personal and corporate significance. Theatre enables us to overcome our reluctance to face psychological pain and so helps us towards healing, concentrating on its balance of protection and exposure-its principal contribution to health and its significance for human relationship.
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This concise study argues there is a qualitative difference between Arabic literature, Arabic literature translated into English, and a literature conceived and executed in English by writers of an Arab background. It examines the corpus of a group of contemporary Arab writers who incorporate Arab subjects and themes into the English language.
Simon Pomeranski is led back to his childhood and the post-war days of the Astorians, a small group of criminals and traders in 'swag' who ran their business from Brixton Market and exercised their own particular brand of justice
Much of social and political thought over the last three centuries has been concerned with transgression and change, with progress and a focus on creating something ’better’ than we have now. But when many of these ideas are put into practice the result has been violence, turmoil and human misery. This, we might say, has been the result of grand ideals taking precedence over the interests of ordinary people. This book presents an alternative view: the antimodern condition. This involves the rejection of change and progress and instead seeks to promote certainty, permanence and settlement. The antimodern condition is where we are in place and settled. It is where we are part of the world around us and not at war with it. It is where we accept our place: we are with those who we care for, and so we are theirs. The antimodern condition is where we recognise that we dwell within traditions, which may evolve and change, but which keep us within the bounds of what is known and what works. This book takes a cross-disciplinary approach, integrating ideas from politics, philosophy, social theory and architecture to present an alternative to progress and other modern conceits.
Modern Western musical thought tends to represent music as a thing--a pattern, a structure, even an organism--than as a human practice. Music, Encounter, Togetherness focusses on music as something people do, as a mode of encounter between individuals and cultures, and as an agent of interpersonal and social togetherness. It presents music as a utopian dimension of everyday life.
Encountering Eve's Afterlives: A New Reception Critical Approach to Genesis 2-4 aims to destabilize the persistently pessimistic framing of Eve as a highly negative symbol of femininity within Western culture by engaging with marginal, and even heretical, interpretations that focus on more positive aspects of her character. In doing so, this book questions the myth that orthodox, popular readings represent the 'true' meaning of the first woman's story, and explores the possibility that previously ignored or muted rewritings of Eve are in fact equally 'valid' interpretations of the biblical text. By staging encounters between the biblical Eve and re-writings of her story, particularly those t...
Javier Marías is a major contemporary Spanish novelist who has enjoyed remarkable international success and recognition. He is a writer who has undergone a singular and clearly discernible novelistic evolution and has forged a very distinctive style of his own. It is this formal development that this book traces through a study of his works from Los dominios del lobo (1971) to Negra espalda del tiempo (1998). With the help of a wide range of 20th-century literary theories and criticism, it strives to show that in order to escape realism and Spanishness and to make his way into literature, Marías forges an intricate style which progressively develops and matures, and which creates highly suggestive and elaborate imaginative worlds, a literature with a particular ontology, ultimately capable of inventing reality. This book is the first full-length study of Javier Marías's work to be published so far and serves both as an introduction to, and a close examination of, the work of a major European writer.
The purpose of Communicating in the Anthropocene: Intimate Relations is to tell a different story about the world. Humans, especially those raised in Western traditions, have long told stories about themselves as individual protagonists who act with varying degrees of free will against a background of mute supporting characters and inert landscapes. Humans can be either saviors or destroyers, but our actions are explained and judged again and again as emanating from the individual. And yet, as the coronavirus pandemic has made clear, humans are unavoidably interconnected not only with other humans, but with nonhuman and more-than-human others with whom we share space and time. Why do so many of us humans avoid, deny, or resist a view of the world where our lives are made possible, maybe even made richer, through connection? In this volume, we suggest a view of communication as intimacy. We use this concept as a provocation for thinking about how we humans are in an always-already state of being-in-relation with other humans, nonhumans, and the land.
Critique of rational choice theory and original, cultural analysis of key historical problem.