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'Each year Eliot's presence reasserts itself at a deeper level, to an audience that is surprised to find itself more chastened, more astonished, more humble.' Ted Hughes Poet, dramatist, critic and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes his verse from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as The Waste Land and Old Possum's Book of Practical Cats.
This book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as Philip Larkin, a generation who would, in the words of the introduction to A. Alvarez’s classic anthology The New Poetry, take poetry ‘Beyond the Gentility Principle’. This was the generation of Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath and Peter Porter. William Wootten explores what these five poets shared in common, their connections, critical reception, rivalries and differences, and locates what was new and valuable in their work. The Alvarez Generation is an important re-evaluation of a time when contemporary poetry and its criticism had a cultural weight it has now lost and when a ‘new seriousness’ was to become closely linked to questions of violence, psychic unbalance and, most controversially of all, suicide. A new Afterword contains important biographical information on Sylvia Plath and reflects on its implications both for the discussions contained in the book and for the study of Plath’s work more generally.
This famous and important book was first published in 1962. With disarming modesty, the author describes it as 'a book by an Englishman, in part based on German documents, on the fall of the Fascist government in Italy.' It is, but such downbeat words give no idea of the monumental scale of the narrative. In detail, the decline and fall of the Fascist regime in Italy is chronicled leading to the dramatic downfall of Mussolini himself in July, 1943. The narrative then traces Mussolini's return to power as head of the puppet satellite Nazi republic in the North after his abduction from internment by SS paratroopers in September, and then follows the dictator's fate through the final six hundred days of the final disintegration of Fascism. 'The Brutal Friendship massive, impersonal and enthralling, is not only an important contribution to recent history, but an example of how to write it.' John Hale, Sunday Telgraph 'This is a very fine piece of writing and . . . it makes enthralling reading.' Times Literary Supplement
Taking up where Of Modern Dragons (2007) left off, these essays continue Lennard's investigation of the praxis of serial reading and the best genre fiction of recent decades, including work by Bill James, Walter Mosley, Lois Mcmaster Bujold, and Ursula K. Le Guin. There are groundbreaking studies of contemporary paranormal romance, and of Hornblower's transition to space, while the final essay deals with the phenomenon and explosive growth of fanfiction, and with the increasingly empowered status of the reader in a digital world. There is an extensive bibliography of genre and critical work, with eight illustrations. John Lennard is Director of Studies at Hughes Hall, Cambridge and has also taught for the Universities of London, Notre Dame, and for the Open University, and was Professor of British & American Literature at the University of the West Indies-Mona, 2004-09. Of Modern Dragons and other essays on genre fiction (2007), is also available from Lulu.
Here, Levitz demonstrates how a group of collaboratoring artists - Igor Stravinsky, Ida Rubenstein, Jacques Copeau, André Gide and others - used the myth of Perséphone to perform and articulate their most deeply held beliefs about four topics significant to modernism: religion, sexuality, death, and historical memory in art.
Recent dissatisfaction with individualism and the problems of religious pluralism make this an opportune time to reassess the way in which we define ourselves and conduct our relationships with others. The philosophical writings of John Macmurray are a useful resource for performing this examination, and recent interest in Macmurray's work has been growing steadily. A full-scale critical examination of Macmurray's religious philosophy has not been published and this work fills this gap, sharing his insistence that we define ourselves through action and through person-to-person relationships, while critiquing his account of the ensuing political and religious issues. The key themes in this work are the concept of the person and the ethics of personal relations.