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This title captures the different faces of London in all seasons, from Bow Street to Chinatown, from Buckingham Palace to Smithfield Market, from the Tate Modern to Trafalgar Square.
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"This is the only general survey of British publishing as a history over the twentieth century. It aims to look at how publishing companies and their owners and staffs were organised and how their output responded to the wider social, economic and cultural trends of the period. It concentrates on the key figures like William Heinemann, Allen Lane, Paul Hamlyn and Robert Maxwell but also looks at less well known but often very significant figures whose contributions were also vital. The study reveals a fascinating and dynamic industry that was influential not only for literary history, but also for the history of education, and general cultural history at home and abroad. Its spread is broad and it considers not only fiction and trade publishing but also scholarly, academic, scientific, children's, technical, medical and professional publishing. It reveals a fascinating tale of creative genius, individual endeavour, personal idiosyncrasy, occasional duplicity and bad behaviour and far-sighted vision that over the century made British book publishing the best in the world and still underlies its role today"--BLACKWELL'S.
The spellbinding premiere of The Weir at the Royal Court in 1997 was the first of many works to bring Conor McPherson to the attention of the theatre-going public. Acclaimed plays followed, including Shining City, The Seafarer, The Night Alive and Girl from the North Country, garnering international acclaim and being regularly produced around the globe. McPherson has also had significant successes as a theatre director, film director and screenwriter, most notably, with his award-winning screenplay for I Went Down. This companion offers a detailed and engaging critical analysis of the plays and films of Conor McPherson. It considers issues of gender and class disparity, violence and wealth i...
A critical treatment of the corporation's hugely successful musicals both on screen and on the stage. The 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations.
It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone.... You were the glimmer. At the end of the tunnel. And you went out. Earthquakes in London is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe. The play deals, through amplified theatricality, with a range of contemporary issues from population growth to climate change. An all-pervasive fear of the future and a gui...
La 4e de couverture indique : "Part One addresses longstanding concerns in the field about the effects of economic conditions and funding relationships on applied theatre practice. It considers how applied theatre's relationship with local and global economies can be understood from different theoretical and philosophical perspectives. It also examines a range of ways in which applied theatre can be resourced, identifying key issues and seeking possibilities for theatre makers to sustain their work without undermining their social and artistic values. The international case studies in Part Two give vivid insights into the day-to-day challenges of resourcing applied theatre work in Chile, Can...
A full-length play, a romantic comedy set among homeless multiracial trans youth in London at the end of a baking-hot summer by multi-award-winning Rikki Beadle-Blair. Presented at Theatre Royal Stratford East in July 2017.
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