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Canadiana
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Free Books for All
Free Books for All provides a detailed and reflective account of the people. groups, communities, and ideas that shaped library development in the decades between 1850 and 1930, from Egerton Ryerson to George Locke, from Mechanics Institutes to renovated Carnegie libraries. A chronological narrative, lively writings by the people involved, tables, maps, graphs, and period photographs combine to tell the stories of the librarians, trustees, educators, politicians, and library users who contributed to Ontario's early public library system. The book brings to life a fascinating period of library history. The movement to use the power of local governments to furnish rate-supported library servic...
The English Public Library 1850-1939
Among the many important political and social reforms of the mid 19th century concerning working conditions, public health and education was the Public Libraries Act of 1850. However, while this allowed municipal boroughs in England and Wales to establish public libraries, few were built until Queen Victoria's Golden Jubilee in 1887 precipitated the setting up of several dozen. During the 1880s and 90s private philanthropy saw the construction of a vast number of small and medium sized libraries, and by 1914, 62 per cent of the England's population lived within a library authority area. This selection guide looks at the external architecture of the libraries built under these and later initiatives, and how they were fitted out and used as access to their book-stock was opened up to readers.
Places to Grow
The core of the book revolves around the shifting nature of Ontario’s political landscape. In many ways this is a story of successive governments, ambitious politicians, diligent bureaucrats, and endless library reports straddling the decades. Their aim appears to have been making even better a system that, despite weaknesses, was clearly the best in Canada. Three distinctive trends emerged in Ontario librarianship after the 1930s: first, a growing sense of professionalism in librarianship; second, an enhanced sense of belonging to a pan-Canadian library movement that in 1946 would result in the formation of the Canadian Library Association; and third, a heightened awareness of the competi...
P11, Painters Eleven
In 1953 eleven Canadian Abstract Expressionist artists banded together to break through the barricades of traditional art at a time when landscapes were about the only paintings collectors were buying. Hungry for recognition, raging against the art establishment that was shutting them out, they decided to form a collective, expecting they would gain more attention as a group than as solo artists. In 1954, The Painters Eleven--Jack Bush, Oscar Cahén, Hortense Gordon, Tom Hodgson, Alexandra Luke, Jock Macdonald, Ray Mead, Kazuo Nakamura, William Ronald, Harold Town and Walter Yarwood--held their first exhibition in Toronto. Initially the public response echoed the worldwide sentiments toward ...
North American Women Artists of the Twentieth Century
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
The Practice of Her Profession
Florence Carlyle (1864-1923), born in Galt, Ontario, emerged as one of the most successful Canadian artists of her time. Trained in Paris, she lived and worked in New York City and in Canada, cultivating a career as a popular portrait and genre painter. Known for her masterful use of colour, Carlyle's paintings are nuanced and perceptive portrayals of feminine spaces, the female figure, and women's domestic work.
The Women of Beaver Hall
Ten women artists, counterparts of the Group of Seven, are finally being given their due. Long overlooked by critics and historians, they are today amongst the most sought after Canadian painters. The Beaver Hall women ventured into a male-dominated art world, lived remarkable lives, and produced exceptional work. The Women of Beaver Hall portrays the lives and works of Nora Collyer, Emily Coonan, Prudence Heward, Mabel Lockerby, Henrietta Mabel May, Kathleen Moir Morris, Lilias Torrance Newton, Sarah Robertson, Anne Savage, and Ethel Seath. Long-lost catalogues, old newspaper reviews, and personal papers document their story, and more than 65 colour plates bring to light their paintings, some of which have lain hidden for more than fifty years. With a clear and concise style directed to the aficionado and scholar alike, this book is the ultimate reference on the Beaver Hall women.
