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If Fortune Does Not Favor offers a unique perspective on the complex situation of Indonesian women, particularly Minangkabau women, during the pre-independence period of Indonesian history. First published in 1933, this novel is considered the first Indonesian novel written by a woman. Selasih, the author, was a fighter working to liberate the homeland during the era when this novel was written. Both to Selasih and within If Fortune Does Not Favor, liberation constituted freedom from everything that shackled happiness.
Morphology of Desire gives a generous introduction to the full range of writing by the internationally acclaimed Indonesian poet, Dorothea Rosa Herliany. The poems span the 1980s to the present day and though a distinctive mix of striking imagery and boldness of voice, the poet sets out to destroy many common assumptions about everyday life and human relationships. As a woman and a poet, she is doubtly an outsider. Her blatant departure, in form as well as content, from the accepted conventions of society (which intensifies through the progression of her work) is remarkable, not only in its personal and political ramifications, but in its emotional and imaginative tenor as well.
Supernova: The Knight, The Princess and the Falling Star presents a series of intertwined and unconventional love stories, straight and gay, with a bit of science and spirituality added to the mix. The major characters are young, urban, and technologically highly aware. They are caught up in major forms of contemporary social conflict. The work has been highly acclaimed. The poet Taufiq Ismail has written: "A renewal has taken place in Indonesian literature over the past decade. Supernova is an intelligent, unique and truly exciting exploration of science, spirituality and the nature of love." The literary critic Jacob Soemardjo suggests: "This is an attractive novel by a young writer. It is an intellectual work in the form of a work of pop art, set in the real world. It opposes old values with new ways of understanding, so that readers can see the world in a different way."
"This monograph explores the relationship between Islam and Marxism in the Netherlands East Indies (NEI) and Indonesia from the publication of the first Communist periodical in 1915 to the beginning of the anti-communist massacres of 1965-66. It explores various permutations of how Muslim identity and Marxist analytical frameworks coexisted in the minds of Indonesian nationalists, as well as how individuals' Islamic faith and ethics shaped their willingness to employ Marxist ideas. Such confluences have long been obscured by state-driven narratives which demonize Marxism and posit the mutual exclusivity of Islam and Marxism. By examining Indonesian-language print culture, including newspaper...
A wry, affecting tale set in a small town on the Indonesian coast, Man Tiger tells the story of two interlinked and tormented families and of Margio, a young man ordinary in all particulars except that he conceals within himself a supernatural female white tiger. The inequities and betrayals of family life coalesce around and torment this magical being. An explosive act of violence follows, and its mysterious cause is unraveled as events progress toward a heartbreaking revelation. Lyrical and bawdy, experimental and political, this extraordinary novel announces the arrival of a powerful new voice on the global literary stage.
First published in 1926, Madge Macbeth's Shackles is a controversial novel that examines the power dynamics of early Canadian feminism. The book exposes the struggles of middle-class Naomi Lennox between her role as dutiful wife to unambitious and proper Arthur and her desire for acceptance of her writing career. Filled with dialogue and debate that expose early twentieth century limitations and opportunities for both women and men, Shackles is a colourful and surprising depiction of first-wave feminism in Canada. This edition will include a new introduction by Notes from a Feminist Killjoy author and CWILA chair Erin Wunker.
The Pilgrim, first published in 1969, has been hailed as Indonesia's first real modern novel. The main characters are an artist and a cemetery overseer; the former represents emotion and the latter signifies reason and the conflicting aspects of human nature. Despite the characters' antagonistic nature and cruelty, they are---in some ways---very similar. Both represents forms of creativity, philosophy, and art. Both exist outside conventional society. Both are searching for genuine human values and are aware of their shortcomings. In The Pilgrim, the chaos of thought and feelings represents life in its chaotic randomness.
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Telegram sent from Charlotte Waters to the 'Hon. Secty SA Branch of the Royal Geog. Society', summarising the 'principal incidents and features of the journey' of the 'Central Australian Exploring and Prospecting Association' from Glen Edith to Erldunda where they arrived on 22 July. Dated and signed at Erldunda 25 July.