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The Throne of the Great Mogul in Dresden
A masterful deciphering of an extraordinary art object, illuminating some of the biggest questions of the eighteenth century The Throne of the Great Mogul (1701–8) is a unique work of European decorative art: an intricate miniature of the court of the Mughal emperor Aurangzeb depicted during the emperor’s birthday celebrations. It was created by the jeweler Johann Melchior Dinglinger in Dresden and purchased by the Saxon prince Augustus the Strong for an enormous sum. Constructed like a theatrical set made of gold, silver, thousands of gemstones, and amazing enamel work, it consists of 164 pieces that together tell a detailed story. Why did Dinglinger invest so much time and effort in ma...
German Colonialism Revisited
The first collection of interdisciplinary and comparative studies focusing on diverse interactions among African, Asian, and Oceanic peoples and German colonizers
Toni Morrison's 'Beloved'
Toni Morrison’s Beloved: Origins explores the multifarious ways in which memory works to conserve a legacy of the ancient past. The vestiges of both Classical Greek and Ancient Egyptian belief systems call to a concern with myths of regeneration.
Masquerades in African Society
Explores the dynamics of African masquerades and mask performances on the continent, linking performative expressions to societal characteristics. What is the meaning of masks and masquerades in African traditions and how can we understand their role in rituals and performances? Why do we find masks in some African regions and not in others, and what does this 'mask habitat' say about the general dynamics of masquerades in Africa? Though masks are among the most famous art icons of Africa, exploration of their uses and the way in which they articulate social characteristics of African societies has been underexamined. This book takes an anthropological perspective on the phenomenon of masque...
Art and Oracle
Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR
Metropolitan Fetish
From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented.
Heroic Africans
Issued in connection with an exhibition held Sept. 20, 2011-Jan. 29, 2012, Metropolitan Museum of Art, New York, and at the Rietberg Museum, Zeurich, at later dates.
African Arts
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Bambui Arts and Culture
This book focuses on the traditional arts and culture of Bambui, a kingdom in the western Grassfields of Cameroon. Although a small kingdom in comparison to much bigger kingdoms such as Mankon, Banso, Kom and Bali, the arts and culture of this kingdom have served, and continue to serve, as a way of life, as ritual, as decoration, and as a means of uniting with the sublime since pre-colonial times. However, in presenting the arts and culture of the western Grassfields, scholars have given much attention only to the dominant kingdoms. As such, Bambui, and many other smaller kingdoms have been rendered voiceless. This text brings forth the voice of one of the smallest kingdoms in the western Grassfields through the presentation of its historical arts, and culture, and the changes that have taken, and continue to take place, in the society. It represents primarily an examination of the socio-cultural organisation of the kingdom and the various kinds of art that are used within the different contexts. These milestones are well-illustrated with historical and contemporary images.
