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From her first assignment in 1998 to explore an increase in the number of missing women to the harrowing 2002 interrogation of convicted serial killer Robert Pickton, Lori Shenher tells a story of massive police failure--failure of the police to use the information about Pickton available to them, failure to understand the dark world of drug addiction and sex work, and failure to save more women from their killer. Shenher explains how police unwillingness to believe the women were missing or murdered, jurisdictional squabbles, and a fear of tunnel vision conspired to leave women unprotected and vulnerable to a serial killer nearly three years after she first received a tip that Pickton could be responsible. She unflinchingly reveals her own pain and psychological distress as a result of these events, which left her unable to work with or trust the police and the criminal justice system. That Lonely Section of Hell reveals the deeper truths behind the causes of this tragedy and the myriad ways the system--and society--failed to protect vulnerable people.
Former police detective Lorimer Shenher's “inside account of the Pickton serial murders is both a horrifying and compelling read. "—Peter Vronsky, author of Serial Killers: The Method and Madness of Monsters In this searing personal account, ex-police detective Lori Shenher (who transitioned to in 2015, and is now known as Lorimer) describes his role in Vancouver's infamous Missing Women Investigation and unflinchingly reveals his years-long struggle with Post-Traumatic Stress Disorder as a result of working on the case. From his first assignment, in 1998, to investigate an increase in the number of missing women to the harrowing 2002 interrogation of convicted serial killer Robert Pickton, Shenher tells a story of massive police failure—failure of the police to use the information about Pickton available to them, failure to understand the dark world of drug addiction and sex work, and failure to save more women from their killer. That Lonely Section of Hell passionately pursues the deeper truths behind the causes of this tragedy and the myriad ways the system failed to protect vulnerable people.
Inspiring and honest, this unique memoir of gender transition and coming-of-age proves it’s never too late to find your true identity. Since he was a small child, Lorimer Shenher knew something for certain: he was a boy. The problem was, he was growing up in a girl’s body. In this candid and thoughtful memoir, Shenher shares the story of his gender journey, from childhood gender dysphoria to teenage sexual experimentation to early-adult denial of his identity—and finally the acceptance that he is trans, culminating in gender reassignment surgery in his fifties. Along the way, he details his childhood in booming Calgary, his struggles with alcohol, and his eventual move to Vancouver, where he became the first detective assigned to the case of serial killer Robert Pickton (the subject of his critically acclaimed book That Lonely Section of Hell). With warmth and openness, This One Looks Like A Boy takes us through one of the most important decisions Shenher will ever make, as he comes into his own and finally discovers acceptance and relief.
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In 2014, the nation was rocked by the brutal violence against young Aboriginal women Loretta Saunders, Tina Fontaine and Rinelle Harper. But tragically, they were not the only Aboriginal women to suffer that year. In fact, an official report revealed that since 1980, 1,200 Canadian Aboriginal women have been murdered or have gone missing. This alarming official figure reveals a national tragedy and the systemic failure of law enforcement and of all levels of government to address the issue. Journalist Emmanuelle Walter spent two years investigating this crisis and has crafted a moving representative account of the disappearance of two young women, Maisy Odjick and Shannon Alexander, teenager...
Imagine being a carefree, independent young woman enjoying life. Your bold, adventurous spirit pulls you to travel to distant locales. Then out of nowhere, you’re abducted, assaulted, and raped. That is the terror-filled experience that Karen Moe survived almost thirty years ago. But this is not a crime story. This is not even just a survivor's tale. Instead, this is a manifesto. In dialogue with other feminists and through case studies from around the world, Moe uses her trauma to shine a light on how not only violence against women, but all exploitation, is a natural result of patriarchal hierarchy. Yes, this is Moe’s story of triumph over violence, but it is also a call-to-action for ...
"A remarkable life story. . . Angela Sterritt is a formidable storyteller and a passionate advocate."—Cherie Dimaline, author of The Marrow Thieves "Sterritt's story is living proof of how courageous Indigenous women are."—Tanya Talaga, author of Seven Fallen Feathers and All Our Relations Unbroken is an extraordinary work of memoir and investigative journalism focusing on missing and murdered Indigenous women and girls, written by an award-winning Gitxsan journalist who survived life on the streets against all odds. As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, ...
Vancouver's downtown East-side neighborhood, the poorest postal code in Canada, is a ten-block compound of poverty, pain, and despair in a sparkling, healthy, rich city. In the parlance of the street, this area is known as Low Track, where drug-addicted prostitutes barely sustain themselves and their habit by selling their bodies. Suspended in the miasma of smoke and despair and the stench that hangs over these mean streets is the mystery of thirty-one Low Track prostitutes who appear to have vanished over the past few years, without a trace. Theories abound about serial killers and murderous freighter crews, while some speculate that some of the women shook their drug habit and just walked ...
Readers of this volume will be struck by the pervasiveness of the connections between the medieval and the modern in Ireland and the Irish, artists in particular, and realize why James Joyce could hardly avoid linking the modern Irish artist with the medieval Irish monk, as he does in the bitter musings of Stephen Dedalus, who walks alone into eternity along Sandymount Strand: "You were going to do wonders, what? Missionary to Europe after fiery Columbanus." Contents: Introduction, Richard Wall; The Image Of The IrishóMedieval and ModernóContinuity and Change, F.X. Martin, O.S.A.; John Bull's Other Ego: Reactions to the Stage Irishman in Anglo-Irish Drama, Heinz Kosok; Contemporary Irish P...