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Six essays and panel transcriptions from The Writer in Politics conference, Washington University, October, 1992, featuring writers describing their place in the political arena. The presenters have "walked the walk" and include Mario Vargas Llosa, Luisa Valenzuela, Nuruddin Farah, and Carolyn Forche who collectively have run for political office, been exiled, jailed, or active as witnesses in a political life. Their insights are a fascinating examination of the role writers play can play as critics, resistors, and contributors to a society's evolution. Annotation copyright by Book News, Inc., Portland, OR
“Every significant religious system stands upon a sacred text. This text is indeed its temple. Inside, its heroes and their history are enshrined. Although leaders of varying degrees of divinity are always involved in the creation of a new sect, they usually have short lives, often come to bad ends, and their influence, diluted by disciples, soon disappears as water does in sand. What the leader leaves behind is Mein Kampf or its equivalent: his testament. Occasionally, by the indolent, an existent text is chosen, or a compilation selected—a golden treasury. From time to time, other writings may be dubbed divine, as though knighted. This is not a simple social thing, however. It is more important than a nation adding to its territories. Any addition to the divine canon will approve, proscribe, or admit new thoughts, new practices, and in consequence elevate different people to positions of privilege and power.”—William H. Gass These essays and panel discussions made up The Writer and Religion Conference held at Washington University in St. Louis. The six essays, all by writers of international stature, were followed by panel discussions, with audience participation.
A descriptive and informative guide to more than 100 sites of literary significance in the greater St. Louis area, Literary St. Louis: A Guide includes historical and biographical information, maps, literary anecdotes, and photographs. Edited by William H. Gass and Lorin Cuoco, the volume includes selections by T. S. Eliot, Mark Twain, Sara Teasdale, Fannie Hurst, William S. Burroughs, Tennessee Williams, Kate Chopin, Thomas Wolfe, and many others who have helped define American literature over the past 150 years. This book is indispensable for understanding the region's rich literary landscape.
For centuries an artist adept in one medium has found solace, encouragement, and inspiration in another, even to the point of merging them. Michelangelo put down his chisel to pick up his pen; Blake pictorialized his poetry; Max Ernst collaged narratives; Gertrude Stein adopted a cubist style. This bicameral interplay of the verbal and pictorial has never been more pronounced than in our own time. "The Dual Muse" explores a range of creative interrelationships between the visual arts and literary media in works by selected modern and contemporary artists and authors.
Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boun...
Shouting Down the Silence presents the first complete biography of Stanley Elkin, a preeminent novelist who consistently won high marks from critics but whose complexities of style seemed destined to elude the popular acclaim he hoped to attain. From the publication of his second novel, A Bad Man, in 1967 to his death in 1995, Elkin was tormented by the desire for both material and artistic success. Elkin's novels were taught in colleges and universities, his fiction received high praise from critics and reviewers (two of his novels won National Book Critics Circle Awards), and his short stories were widely anthologized--and yet he was unable to achieve renown beyond the avant-garde, or to e...
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
This Book Examines Ghosh`S Fiction Through Separate Critical Essays By Reputed Scholars In Six Countries. These Thoughtful, Incisive And Highly Readable Essays Are Grounded In The Interests That Infuse Ghosh`S Fiction: History, Science, Discovery, Travel, Nationalism, Subalternity, Agency. It Is Invaluable For Those Interested In Ghosh`S Work, Prtoviding Ideas And Starting Points For Scholars And Students.
Henri Michaux is both a recognised poet and visual artist, arguably one of the greatest ‘double artists’ of the twentieth century. This book presents the first detailed examination of a particular interdisciplinary aspect of his production, namely, the innovative experimentation with signs contained in four works: Mouvements, Par la voie des rythmes, Saisir and Par des traits. Questions arise concerning their literary and visual status as, in their attempt to render interior rhythm and dynamism, they occupy an interstitial space between writing and drawing, between the book and the canvas, between the Western alphabet and Chinese characters. This study addresses these questions by analysing the conception, production and reception of Michaux’s signs and the literary and artistic contexts in which they were produced.
"The history of Bellefontaine Cemetery in St. Louis is told through the stories of those who are buried there. Cemetery records and interviews with insiders inform the research"--Provided by publisher.