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First Letters in the Eighteenth and Nineteenth Centuries
‘First letters’ can be understood in various ways: as the first letters written by a person, such as the letters of children, or of drafts which were preserved, amended and copied; as the first letter of a particular type, such as an experienced letter-writer’s first love letter; and as the first letter to a new correspondent, among many others. The idea of a first letter also suggests a link with the letters that follow: what is the connection between the first letter and those which come after it? Written by academics specializing in letter-writing internationally, this volume examines the letters of various authors, philosophers, and artists, including Benjamin Constant, José-Maria de Heredia, Voltaire, Diderot, Coleridge, De Quincey, and others. It is structured in four sections: letters from youth; first letters in fictional works; the writer’s persona; and first letters within correspondence.
Women's Life Writing, 1700-1850
This collection discusses British and Irish life writings by women in the period 1700-1850. It argues for the importance of women's life writing as part of the culture and practice of eighteenth-century and Romantic auto/biography, exploring the complex relationships between constructions of femininity, life writing forms and models of authorship.
The Routledge Companion to Romantic Women Writers
The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.
Adelaide and Theodore
Some of the theories Genlis adopts in the education of the eponymous children have their roots in Rousseau's "Emile". However, Genlis herself suggested that Rousseau knew little of the practical education of children. This work is placed within the context of the late eighteenth-century debate on female education.
The Rash Resolve and Life's Progress
Eliza Haywood was one of the most popular and versatile writers of the eighteenth century. The two novellas in this edition – The Rash Resolve (1724) and Life’s Progress (1748) – show her developing and adapting her ideas on the subject of passion and romance. Though superficially presented as cautionary tales, Haywood introduces a feminist slant.
Malvina
Often linked to the works of early Romanticism, Sophie Cottin's Malvina (1803) was a bestselling sentimental novel. First published in France, the English translation by Elizabeth Gunning – a prolific novelist in her own right – allowed Cottin’s book to achieve success internationally. This is the first modern scholarly edition of Malvina.
The History of Lady Louisa Stroud, and the Honourable Miss Caroline Stretton
This new edition of the British epistolary novel The History of Lady Louisa Stroud, and the Honourable Miss Caroline Stretton examines the theme of female agency, and is an excellent example of women's writing in the eighteenth-century. The relationships of the author, Phebe Gibbes, with the East India Company, The London Magazine, ‘The Benevolent Society’, and the Royal Literary Society provide rich avenues for research. Accompanied by a new introduction and editorial commentary, this text will be of great interest to students of literary history and women's writing.
Translations and Continuations
This edition connects four female writers from two different countries, presenting the English translations of two of the most popular eighteenth-century French novels and a sequel to one of them.
Romance Readers and Romance Writers
This edition of Romance Readers and Romance Writers (1810) is the first modern scholarly publication of what is arguably Green's most famous novel. As with many of her other works, Green adopts numerous sophisticated methods to parody her contemporaries.
