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Filled with tried and tested techniques and written with feedback from students.
A revolutionary book about stage movement from a well-known artist of the international theater community.
Yoshi Oida is completely unique. A Japanese actor and director who has worked mainly in the West as a member of Peter Brook's theatre company in Paris, he blends the Oriental tradition of supreme and studied control with the Western performer's need to characterize and expose depths of emotion. In this practical and captivating study of the actor's art, Yoshi Oida provides performers with all the simple tools which help place the technique of acting behind a cloak of invisibility. Throughout, Lorna Marshall provides a running commentary on Oida's work and methods which helps the reader understand the achievement of this singular artist. A brilliant book, The Invisible Actor is filled with abundant insights to help actors perfect their craft.
Marshall leads the reader through the intricacies, ambiguities, and silences of !Kung beliefs. Based on fieldwork among the Bushmen of the Kalahari in the early 1950s, she presents the culture, beliefs, and spirituality of one of the last true hunting-and-gathering peoples by focusing on members of different bands as they reveal their own views.
Based on extensive fieldwork in the Nyae Nyae area since the early 1950s, this is a scholarly, detailed and readable account of the life of a San community in Namibia. Several chapters are devoted to material conditions, such as environment and settlement, plant foods and gathering, animal foods and hunting. See also the less scholarly and more widely read account by her daughter: Elizabeth Marshall Thomas: The Harmless people, which was published as early as 1959 and reprinted several times (London: Secker & Warburg, 1959). (Eriksen/Moorsom 1989).
A time-travelling adventure with interactive experiments for budding young scientists, by Nobel Prize winning Barry Marshall Mary has always wanted to win a Nobel Prize and loves running her own science experiments at home. One day Mary stumbles on a secret meeting of Nobel Prize winners. Dr Barry Marshall agrees to travel with her through time to learn the secrets behind some of the most fascinating and important scientific discoveries. They talk time and space with Albert Einstein, radiation with Marie Curie, DNA with Crick, Watson and Wilkins – and much more. Filled with experiments to try at home and featuring famous Nobel prize-winners: Albert Einstein • Marie Curie • Guglielmo Marconi Francis Crick, James Watson and Maurice Wilkins • Alexander Fleming • Tu Youyou • Subrahmanyan Chandrasekhar • Gertrude Elion • Norman Borlaug • Rita Levi-Montalcini • Jean-Pierre Sauvage, J. Fraser Stoddart and Bernard Feringa • Barry Marshall and Robin Warren
Where the Roads All End tells the remarkable story of an American family’s expeditions to the Kalahari Desert in the 1950s. Raytheon founder Laurence Marshall and his family recorded the lives of the last remaining hunter-gatherers, the so-called Bushmen, in what is now recognized as one of the most important anthropology ventures in Africa.
A founding member of Peter Brook's international theatre company, Yoshi Oida infuses his acting and directing with the artistry of the Oriental traditions and a mastery of Western forms. In this disarmingly accessible study of the art of acting he shares his unique experience and range of expertise. An Actor's Tricks offers a meticulous scrutiny of the actor's preparation for performance and comes with a foreword by Peter Brook. Drawing on an unrivalled wealth and range of expertise in the fields of acting, directing and training, Yoshi Oida and Lorna Marshall provide an authoritative and fascinating study of the art of the actor. In scrutinising the process of performance from the twin pers...
His account includes an explanation of the genesis of the techniques and exercises which have formed the basis of their internationally-celebrated work.
American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism’s focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.