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This volume explores the nexus between nature, markets, deregulation and valuation, using theoretically sharp and empirically rich real-world case studies and analyses of actually existing policy from around the world and across a range of resources. In short, it answers the questions: does neoliberalizing nature work and what work does it do? More specifically, this volume provides answers to a series of urgent questions about the effects of neoliberal policies on environmental governance and quality. What are the implications of privatizing public water utilities in terms of equity in service provision, resource conservation and water quality? Do free trade agreements erode the sovereignty...
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
We are often told that mean welfare is what the public wants. Whether or not that's true, this book encourages us to at least be honest about what that entails. It explores how diverse welfare users navigate the personal and practical hurdles of Australia’s so-called social security system, where benefits are deliberately meagre and come with strings attached. Based on ethnographic fieldwork in a region of Sydney known for ethnic diversity and socio-economic disadvantage, Emma Mitchell brings her own experience of belonging to a poor family long reliant on welfare to her research. This book shows the different cultural resources that people bring to welfare encounters with a sensitivity and subtlety that are often missing in both sympathetic and cynical accounts of life on welfare.
The last twenty years have witnessed an important movement in the aspirations of public policy beyond meeting merely material goals towards a range of outcomes captured through the use of the term 'wellbeing'. Nonetheless, the concept of wellbeing is itself ill-defined, a term used in multiple different contexts with different meanings and policy implications. Bringing together a range of perspectives, this volume examines the intersections of wellbeing and place, including immediate applied policy concerns as well as more critical academic engagements. . Conceptualisations of place, context and settings have come under critical examination, and more nuanced and varied understandings are dra...
Nestled in the wooded hills east of the San Francisco Bay, Dublins sprawling valley has welcomed people from a variety of backgrounds throughout its rich history. At the heart of the tri-valley region, this former agricultural area has grown exponentially over the years, forming a modern city with a solid community-oriented heritage. From Californias first native inhabitants, through the Spanish and Mexican periods, to the arrival of the first American settlers, Dublin has long been at the crossroads of culture and settlement.
This volume addresses the long-standing neglect of the category of labour in critical social theory and it presents a powerful case for a new paradigm based on the anthropological significance of work and its role in shaping social bonds.
Many of the stars of silent westerns were young horse wranglers who left the open fields to make extra money bulldogging steers and chasing Indians around arenas in traveling Wild West shows. They made their way to Hollywood when the popularity of the Wild West shows began to decline, found work acting in action-packed silent westerns, and became idols for early moviegoers everywhere. More than 100 of those cowboys who starred in silent westerns between 1903 and 1930 are highlighted in this work. Among those included are Art Acord, Broncho Billy Anderson, Harry Carey, Fred Cody, Bob Custer, Jack Daugherty, William Desmond, William Duncan, Dustin Farnum, William Farnum, Hoot Gibson, Neal Hart, William S. Hart, Jack Holt, Jack Hoxie, Buck Jones, J. Warren Kerrigan, George Larkin, Leo Maloney, Ken Maynard, Tim McCoy, Tom Mix, Pete Morrison, Jack Mower, Jack Perrin, William Russell, Bob Steele, Fred Thompson, Tom Tyler, and Wally Wales, to name just a few. Biographical information and a complete filmography are provided for each actor. Richly illustrated with more than 300 movie stills.
Encounters, transformations, and reflections from in-prison and post-release theater workshops See Me is a collection of intimate dialogues about collective experiences in the context of prison theater workshops. Each essay is a collaboration between two or three people who connected profoundly in the temporary community that a workshop can create. Part I is an exchange grounded in the prison theater workshop between the author and one of the incarcerated participants. They alternately tell the story of what they found in the workshop, each other, the future they imagined together, and the social turmoil and utopian aspirations of the times. Part II consists of essays jointly written by eight other people impacted by close relationships spawned in diverse in-prison and re-entry theater workshops.
Tourism in Cuba - described by Fidel Castro as 'the evil we have to have' - has been regarded both with ambivalence, and as a crucial aspect of development and poverty alleviation. The result is a remarkable approach to tourism, one which often compels tourists to become agents of development through solidarity. Drawing on her experiences of working in an NGO in Cuba, the author uses a multi-sited ethnographic approach to investigate tourism motivations and experiences, and to examine the very nature of development. Her analysis covers a wide range of issues including social change, globalization, social theory, and sustainability. Also discussed is the way in which tourism in Cuba relates to broader debates surrounding transformation, capacity building, social action and solidarity.