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Digital Poetics
In Digital Poetics, Loss Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium. Glazier examines three principal forms of electronic textuality: hypertext, visual/kinetic text, and works in programmable media. He considers avantgarde poetics and its relationship to the on-line age, the relationship between web pages and book technology, and the way in which certain kinds of web constructions are in and of themselves a type of writing. With convincing alacrity, Glazier argues that the materiality of electronic writing has changed the idea of writing itself. He concludes that electronic space is the true home of poetry and, in the 20th century, has become the ultimate space of poesis. Digital Poetics will attract a readership of scholars and students interested in contemporary creative writing and the po
All's Normal Here
None
Luna Lunera
This book stands on its own feet as innovative writing in the 21st century. Its themes are expansive, covering sources of poetic language from the Chauvet Caves through the physical mouth, etymons, singular examples of world architectures, Robin Blaser's liminal sources of inspiration, Japanese zodiac cyles, and the productive cross-cultural contexts of medieval Andalusian mudejar aesthetics. Additionally, Luna Lunera comes to us honed through multi-media and multi-genre contexts -- notable digital poetry (machine-enabled assemblages of variant lines) and performing arts (in particular cross-over with contemporary theater dance performance). It is a journey from pre-language through computer...
Prehistoric Digital Poetry
Explores pioneering works of digital poetry and demonstrates how technological constraints that would seemingly limit the aesthetics of poetry have instead extended and enriched poetic discourse For the last five decades, poets have had a vibrant relationship with computers and digital technology. This book is a documentary study and analytic history of digital poetry that highlights its major practitioners and the ways that they have used technology to foster a new aesthetic. Focusing primarily on programs and experiments produced before the emergence of the World Wide Web in the mid-1990s, C. T. Funkhouser analyzes numerous landmark works of digital poetry to illustrate that the foundation...
A Poetics of the Press
Literary Nonfiction. Poetics. Art. The publication of Donald Allen's The New American Poetry in 1960, as well as the Vancouver and Berkeley poetry conferences, sparked a poetic renaissance. It was an era rich in exploration and innovation that articulated a new relationship between form and content. Simultaneously, American artists began working with the book as a creative medium that rivaled the European tradition of the early twentieth century. This book is the first collection of interviews with some of the pioneers working at the intersection of the artists book and experimental writing that continues to this day. Includes interviews with Keith & Rosmaie Waldrop, Tom Raworth, Lyn Hejinian, Alan Loney, Mary Laird, Jonathan Greene, Alastair Johnston, Johanna Drucker, Phil Gallo, Steve Clay, Charles Alexander, Annabel Lee, Inge Bruggeman, Matvei Yankelevich, Anna Moschovakis, Aaron Cohick, and Scott Pierce. Co-published with Cuneiform Press.
Latin American Technopoetics
Latin American Technopoetics: Scientific Explorations in New Media analyzes the ways in which poetry and multimedia installations by six prominent poets and artists engage, and in turn are engaged by, scientific discourses. In its innovative readings of contemporary digital media works, Latin American Technopoetics is the first book to investigate the powerful dialogue between recent techno-cultural phenomena, literature, and various scientific fields. This cutting-edge analysis of poetic and artistic experimentation--robots that compose and recite poetry, algorithms that create visualizations of poetic language or of the connections between everyday language and scientific terminology, arrays of multi-dimensional poetic spaces, and telematic and transgenic art--makes a strong case for the increasing viability of a scientific poetics currently gaining prominence in Latin American literary and media studies, digital humanities, and science and technology studies.
Stubborn Poetries
Stubborn Poetries is a study of poets whose work, because of its difficulty or simple resistance to conventional explication, remains more or less firmly outside the canon. Book jacket.
New Media Poetics
The first collection of writings on poetry that is composed, disseminated, and readon computers; essays and artist statements explore visually arresting, aurally charged, and dynamicworks that are created by a synergy of human beings and intelligent machines.
All the Whiskey in Heaven
All the Whiskey in Heaven brings together Charles Bernstein’s best work from the past thirty years, an astonishing assortment of different types of poems. Yet despite the distinctive differences from poem to poem, Bernstein’s characteristic explorations of how language both limits and liberates thought are present throughout. Modulating the comic and the dark structural invention with buoyant soundplay, these challenging works give way to poems of lyric excess and striking emotional range. This is poetry for poetry’s sake, as formally radical as it is socially engaged, providing equal measures of aesthetic pleasure, hilarity, and philosophical reflection. Long considered one of America’s most inventive and influential contemporary poets, Bernstein reveals himself to be both trickster and charmer.
