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This book is about the intersection of two evolving dance-historical realms—theory and practice—during the first two decades of the eighteenth century. France was the source of works on notation, choreography, and repertoire that dominated European dance practice until the 1780s. While these French inventions were welcomed and used in Germany, German dance writers responded by producing an important body of work on dance theory. This book examines consequences in Germany of this asymmetrical confrontation of dance perspectives. Between 1703 and 1717 in Germany, a coherent theory of dance was postulated that called itself dance theory, comprehended why it was a theory, and clearly, ration...
The history of dance theory has never been told. Writers in every age have theorized prescriptively, according to their own needs and ideals, and theorists themselves having continually asserted the lack of any pre-existing dance theory. Dance Theory: Source Readings from Two Millenia of Western Dance revives and reintegrates dance theory as a field of historical dance studies, presenting a coherent reading of the interaction of theory and practice during two millennia of dance history. In fifty-five selected readings with explanatory text, this book follows the various constructions of dance theories as they have morphed and evolved in time, from ancient Greece to the twenty-first century. ...
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In der 1958 gegründeten Schriftenreihe des Instituts für Zeitungsforschung erscheinen wissenschaftliche Arbeiten zu den Kernthemen des Instituts, der Entwicklung der Printmedien und des Journalismus. Die Beiträge greifen historische und aktuelle medien- und kommunikationswissenschaftliche Themen und Fragestellungen auf. Die Reihe umfasst Monographien und Sammelbände sowie Nachschlagewerke, Biografien und Textdokumentationen.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
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