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A revealing new look at modernist architecture, emphasizing its diversity, complexity, and broad inventiveness Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. The Other Modern Movement profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work re...
La prise de conscience du patrimoine architectural de la Belgique et le souci de sa préservation intéressent un public toujours plus nombreux, désireux d'une information de qualité. Ce constat a amené les Editions Racine à proposer une nouvelle édition, en un volume, des ouvrages à succès " Art nouveau en Belgique " et " Art déco et Modernisme en Belgique ", comprenant un texte entièrement actualisé ainsi que de nouvelles photographies. Avec des architectes comme Victor Horta et Henri van de Velde, entre autres, et des lieux comme le palais Stoclet, le trésor architectural belge est unique et mondialement connu. Ce livre montre l'importance, la richesse et la diversité de l'Art nouveau, de l'Art déco et du Modernisme. Il donne une vue d'ensemble sur les œuvres les plus importantes réalisées en Belgique, de Verviers à Ostende.
In 1919, architect Louis Herman De Koninck (1896-1984), a former student of Victor Horta, was asked to help with the reconstruction of those parts of Belgium that had been destroyed in the First World War. The achievements of Louis Herman De Koninck were studied and published in all the most important architectural reviews of the period.
The first biography and study of the work of Belgian landscape architect Jean Canneel-Claes, a significant but somewhat overlooked figure from the history of European modernism. In tracing his contributions, Imbert restores Canneel as a major figure in the development of landscape architecture into a modern discipline.
This volume is the fourth in the series. Each contains the papers presented at the annual conferences of the Construction History Society. This volume contains papers on the history and development of concrete construction, on the education of architects, on the development of scaffolding and roof construction and much more.
With contributors drawn from a broad range of disciplines, The Modern Period Room brings together a carefully selected collection of essays to consider the interiors of the modern era and their more recent reconstructions from a variety of different viewpoints. Contributions from leading design historians, architects and curators of the history of the domestic interior in the UK engage with the issues and conventions surrounding the modern period room to expose the conflicting tensions that lie beneath the conceptual and physical strategy of the modern period room's representational technique. Exploring themes and examples by prestigious architects, such as Ernö Goldfinger, Truus Schroeder and Gerrit Rietveld, the authors reveal the specific coding of presented interior spaces. This illustrated new take on the historiography of twentieth century show interiors enables historians and theorists of architecture, design and social history to investigate the contexts in which this representational device has been used.
Examining the photographic collection that Alberto Sartoris donated to the Swiss federal government, this text throws light on a poorly understood aspect of 20th century architecture, namely the mechanisms behind the creation and diffusion of the 'image of modern architecture'.
Written by a team of renowned practitioners and academics, this book offers a broad investigation of how the designed landscape is and has been represented: for design study, for criticism and even for its realization.
In the first decades of the 20th century, civil engineers were widely seen as a role model for future architects. Their role within the contemporary architecture movements, however, was hardly discussed. To this day, even fundamental questions about collaborations, rivalries, or conflicts between the two sister disciplines still await answers. This volume brings together contributions by international scholars on the cooperation between architects and civil engineers in various countries in the interwar period. By offering both insights into national peculiarities and new reflections on the general nature, character, and significance of such joint efforts, it opens exciting new perspectives on the modern building culture of Europe and beyond.