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Handbooks for Daoist Practice
Twentieth anniversary edition of the classic series of bilingual Chinese-English translations of nine important, representative, and practice-oriented Daoist texts. Volume I includes the general introduction and Handbooks 1-3; volume II consists of Handbooks 4-6; and volume III includes Handbooks 7-9 and the combined bibliography.
Cultivating Perfection
This important work focuses on early Quanzhen (Complete Perfection) Daoism, a twelfth-century Daoist religious movement and subsequent monastic order. Emphasis in this first study to approach Quanzhen from a comparative religious studies perspective is placed on the complex interplay among views of self, specific training regimens, and the types of experiences that were expected to follow from dedicated praxis. On the basis of historical contextualization and textual analysis it is demonstrated that in its formative and incipient organized phases Quanzhen was a Daoist religious community consisting of a few renunciants dedicated to religious praxis. The study proper is followed by a complete annotated translation of a text attributed to the founder, which represents one of only two early Quanzhen texts translated to date. Subsequent appendices address issues of dating and contents of the early textual corpus as well as technical Quanzhen religious terminology.
The Daoist Tradition
An introduction to Daoism as a living and lived religion, covering.key themes and topics as well as its history.
Taming the Wild Horse
In thirteenth-century China, a Daoist monk named Gao Daokuan (1195-1277) composed a series of illustrated poems and accompanying verse commentary known as the Daoist Horse Taming Pictures. In this annotated translation and study, Louis Komjathy argues that this virtually unknown text offers unique insights into the transformative effects of Daoist contemplative practice. Taming the Wild Horse examines Gao's illustrated poems in terms of monasticism and contemplative practice, as well as the multivalent meaning of the "horse" in traditional Chinese culture and the consequences for both human and nonhuman animals. The Horse Taming Pictures consist of twelve poems, ten of which are equine-centered. They develop the metaphor of a "wild" or "untamed" horse to represent ordinary consciousness, which must be reined in and harnessed through sustained self-cultivation, especially meditation. The compositions describe stages on the Daoist contemplative path. Komjathy provides opportunities for reflection on contemplative practice in general and Daoist meditation in particular, which may lead to a transpersonal way of perceiving and being.
Taming the Wild Horse
In thirteenth-century China, a Daoist monk named Gao Daokuan (1195-1277) composed a series of illustrated poems and accompanying verse commentary known as the Daoist Horse Taming Pictures. In this annotated translation and study, Louis Komjathy argues that this virtually unknown text offers unique insights into the transformative effects of Daoist contemplative practice. Taming the Wild Horse examines Gao's illustrated poems in terms of monasticism and contemplative practice, as well as the multivalent meaning of the "horse" in traditional Chinese culture and the consequences for both human and nonhuman animals. The Horse Taming Pictures consist of twelve poems, ten of which are equine-centered. They develop the metaphor of a "wild" or "untamed" horse to represent ordinary consciousness, which must be reined in and harnessed through sustained self-cultivation, especially meditation. The compositions describe stages on the Daoist contemplative path. Komjathy provides opportunities for reflection on contemplative practice in general and Daoist meditation in particular, which may lead to a transpersonal way of perceiving and being.
Introducing Contemplative Studies
The first book-length introduction to an exciting new interdisciplinary field—written by an internationally recognized leader of the Contemplative Studies movement This is the first book-length introduction to a growing and influential interdisciplinary field focused on contemplative practice, contemplative experience, and contemplative pedagogy. Written by an internationally recognized leader in the area, Introducing Contemplative Studies seeks to provide readers with a deep and practical understanding of the nature and purpose of the field while encouraging them to find a place of their own in an increasingly widespread movement. At once comprehensive overview, critical reflection, and v...
Contemplative Literature
An anthology of primary texts on meditation and contemplative prayer from a wide range of religious traditions. This is the first theoretically informed and historically accurate comparative anthology of primary texts on meditation and contemplative prayer. Written by international experts on the respective texts and corresponding traditions, Contemplative Literature provides introductions to and primary sources on contemplative practice from various religious traditions. The contributors explore classical Daoist apophatic meditation, Quaker silent prayer, Jewish Kabbalah, Southern Buddhist meditation, Sufi contemplation, Eastern Orthodox prayer, Pure Land Buddhist visualization, Hindu class...
The Way of Complete Perfection
Originating about 1163 CE, Quanzhen (Complete Perfection) Daoism is one of the most important Daoist movements in Chinese history. It remains the dominant form of monastic Daoism in the modern world, especially in its Longmen (Dragon Gate) lineage. This landmark anthology provides complete or partial translations of twenty-one Quanzhen texts. Most have never been translated or even discussed in scholarly literature. Louis Komjathy gives particular attention to work completed by the Quanzhen movement's founder, Wang Chongyang (1113–1170 CE), and his first generation disciples. Translations include representative works from every major genre of Quanzhen literature, from poetry and discourse records to didactic texts, commentaries, and hagiographies. Three monastic manuals from the late medieval and late imperial periods of Quanzhen history are also included. An introduction to Quanzhen Daoism begins the work, and each chapter provides discussions of the history and topics relevant to each translation.
The Wiley-Blackwell Companion to Chinese Religions
Comprising the most up-to-date, interdisciplinary research on the study of Chinese religious beliefs and cultural practices, this volume explores the rich and complex religious and philosophical traditions that have developed and flourished in one of the world's oldest civilizations. Covers the main Chinese traditions of Confucianism, Taoism, and Buddhism as well as Christianity and Islam Features a unique organizational structure, with groups of readings focused on historical, traditions-based, and topical elements of Chinese religion Explores a number of contemporary religious topics, including gender, nature, asceticism, material culture, and gods and spirits Brings together a team of authors who are experts in their sub-fields, providing readers with the latest research in a rapidly growing discipline
Contemplative Literature
An anthology of primary texts on meditation and contemplative prayer from a wide range of religious traditions. This is the first theoretically informed and historically accurate comparative anthology of primary texts on meditation and contemplative prayer. Written by international experts on the respective texts and corresponding traditions, Contemplative Literature provides introductions to and primary sources on contemplative practice from various religious traditions. The contributors explore classical Daoist apophatic meditation, Quaker silent prayer, Jewish Kabbalah, Southern Buddhist meditation, Sufi contemplation, Eastern Orthodox prayer, Pure Land Buddhist visualization, Hindu class...
