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From Renaissance to Baroque
English religious poetry--Donne and Herbert--Donne's Anniversaries revisited--The generous ambiguity of Herbert's Temple--Marlowe's "amorous poem"--Spencer's Amoretti"--Pure and impure pastoral--The Winter's tale--The masks of mannerism: Thomas Carew--Richard Crashaw--Vaughan and Rembrandt.
The Problem with Multiculturalism
The horrors of the past century have done little to advance appreciation for the virtues of Western civilization. Criticism of the West has mounted and the West itself has lost sight of its uniqueness. Westerners tend to endow other societies with liberal philosophy and practices. While politically profitable, this fails to educate these societies about their own civilizations' contributions to the idea of a common humanity, human rights, and the legitimacy of dissent and diversity. John M. Headley argues for the West's uniqueness and universality, while critiquing multiculturalism's failure to recognize these special characteristics. He looks to civilization rather than to the nation-state ...
Poetic Relations
Introduction -- Authorship -- Friendship -- Love -- Marriage -- Coda
The Call to Happiness
In The Call to Happiness, Nathaniel A. Warne examines how sixteenth-and seventeenth-century Puritans adopted a eudaimonistic conception of ethics in their writings. He shows how classical eudaimonism within the Puritan context is related to other areas of theology, ethics, and politics, and that the idea of divine calling or vocation fits within Puritan eudaimonism. Warne further shows how work can also be understood as an aspect of human flourishing when illuminated from within this tradition of Christian eudaimonism alongside the doctrine of calling.
Barbarous Dissonance and Images of Voice in Milton's Epics
Sauer investigates the texts' discursive practices and the politics of their orchestration of voice exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach. By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours.
