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The Inquisition's Inquisitor
Writing in 1868, the Philadelphia publisher-cum-historian Henry Charles Lea informed a friend, “I am trying to collect the materials for a history of the Inquisition.” The collecting of these materials—books, manuscripts, and copies of thousands of pages of documents housed in musty European archives and libraries—would occupy Lea (1825–1909) for the remainder of his life. It also led to publication of A History of the Inquisition of the Middle Ages (1884–87) and his acknowledged masterpiece, A History of the Inquisition of Spain (1906–7). Regarded as classics, these path-breaking books inaugurated better understanding of the history of an institution whose aims and methods tro...
Inquisitors and Heretics in Thirteenth-Century Languedoc
In the study of inquisition and heresy in Languedoc the late thirteenth century is a dark hole. This book redresses this, providing an edition and translation of depositions of heresy suspects interrogated in Toulouse 1273-82, preserved in a copy of 1669. The book’s introduction investigates the history and reliability of this copy, and, together with the edition, illuminates the inquisitors and scribes who produced the original register. The edited text shows a Cathar hierarchy in exile in Italy, a Cathar revival in Languedoc, and its destruction by a re-launched inquisition. Inquisitors’ questioning led to depositions which are extraordinarily colourful and lively, and in this they anticipate the circumstantial detail of the early fourteenth century depositions upon which Le Roy Ladurie’s famous Montaillou was based.
The Brothers Le Nain
A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to...
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Writing the Inquisition in Europe and America
American historian Henry Charles Lea and his Belgian colleague Paul Fredericq corresponded regularly between 1888 and 1908. Both pursued the study of the medieval and Spanish Inquisition. Their letters are an account of the creation of their body of work. They also reveal how history was used for political ends in an era when Europe was spellbound by the Dreyfus affair while concerns about "the power of Rome" were growing in America. --Publisher description.
