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Burning in this Midnight Dream
In heart-wrenching detail, Louise Halfe recalls the damage done by the residential schools to her parents, her family, and herself in her new poetry collection.
Sôhkêyihta
“I build this story like my lair. One willow, / a rib at a time” — “The Crooked Good” Since 1990, Sky Dancer Louise Bernice Halfe’s work has stood out as essential testimony to Indigenous experiences within the ongoing history of colonialism and the resilience of Indigenous storytellers. Sôhkêyihta includes searing poems, written across the expanse of Halfe’s career, aimed at helping readers move forward from the darkness into a place of healing. Halfe’s own afterword is an evocative meditation on the Cree word sôhkêyihta: Have courage. Be brave. Be strong. She writes of coming into her practice as a poet and the stories, people, and experiences that gave her courage and ...
Burning in this Midnight Dream
Burning in the Midnight Dream is the latest collection of poems by Louise Bernice Halfe. Many were written in response to the grim tide of emotions, memories, dreams and nightmares that arose in her as the Truth and Reconciliation process unfolded. With fearlessly wrought verse, Halfe describes how the experience of the residential schools continues to haunt those who survive, and how the effects pass like a virus from one generation to the next. She asks us to consider the damage done to children taken from their families, to families mourning their children; damage done to entire communities and to ancient cultures. Halfe’s poetic voice soars in this incredibly moving collection as she digs deep to discover the root of her pain. Her images, created from the natural world, reveal the spiritual strength of her culture.
Awâsis - Kinky and Dishevelled
A gender-fluid trickster character leaps from Cree stories to inhabit this racous and rebellious new work by poet Louise Bernice Halfe. There are no pronouns in Cree for gender; aw'sis (which means illuminated child) reveals herself through shape-shifting, adopting different genders, exploring the English language with merriment, and sharing his journey of mishaps with humor, mystery, and spirituality. Opening with a joyful and intimate Introduction from Elder Maria Campbell, aw'sis - kinky and dishevelled is a force of Indigenous resurgence, resistance, and soul-healing laughter. If you've read Halfe's previous books, prepared to be surprised by this one. Raging in the dark, uncovering the ...
The Crooked Good
Through the voice of ê-kwêskît – Turn-around Woman – Louise Halfe guides the reader on a three-fold journey down a path where the personal, the historical and the mythic walk hand-in-hand. Louise Halfe revisits familiar Indigenous themes, but pushes them farther than she has before, in this third collection of her moving, powerful poetry. The ancestors speak through a Mother’s fireside stories, and the figure of Rolling Head recurs everywhere on the path – as nightmare, as conscience, as maternal lover. The heartbreaking dysfunction of an Indigenous family, and the haunted memories and temptations of one woman’s quest, are tempered by the tenderness, the loyalty, and the outbursts of earthy laughter that distinguish Louise Halfe’s unique gifts as a poet and as mediator between two cultures.
Masculindians
What does it mean to be an Indigenous man today? Between October 2010 and May 2013, Sam McKegney conducted interviews with leading Indigenous artists, critics, activists, and elders on the subject of Indigenous manhood. In offices, kitchens, and coffee shops, and once in a car driving down the 401, McKegney and his participants tackled crucial questions about masculine self-worth and how to foster balanced and empowered gender relations. Masculindians captures twenty of these conversations in a volume that is intensely personal, yet speaks across generations, geography, and gender boundaries. As varied as their speakers, the discussions range from culture, history, and world view to gender theory, artistic representations, and activist interventions. They speak of possibility and strength, of beauty and vulnerability. They speak of sensuality, eroticism, and warriorhood, and of the corrosive influence of shame, racism, and violence. Firmly grounding Indigenous continuance in sacred landscapes, interpersonal reciprocity, and relations with other-than-human kin, these conversations honour and embolden the generative potential of healthy Indigenous masculinities.
Indigenous Women and Street Gangs
"Amber, Bev, Chantel, Jazmyne, Faith, and Jorgina are six Indigenous women previously involved in street gangs or the street lifestyle in Saskatoon, Regina, and Calgary. In collaboration with Indigenous Studies scholar Robert Henry (Métis), they share their stories using photovoice, an emancipatory research process where participants are understood to be the experts of their own experiences. Each photograph in Indigenous Women and Street Gangs was selected and placed in order to show how the authors have changed with their experiences. Following their photographs, the authors each share a narrative that begins with their earliest memory and continues to the present. Together the photographs and narratives bring a deeper meaning to the women's lived realities. Throughout, these women show us the meaning of survivance, a process of resistance, resurgence, and growth. While often difficult to read, the narratives shared by Amber, Bev, Chantel, Jazmyne, Faith, and Jorgina are direct, explicit, sensitive, and imbued with hope and humour. They provide unparalleled insight into the lives of these women and break all kinds of stereotypes along the way."--
A Casual Reconstruction
A Casual Reconstruction explores open conversation to examine the relationship between language, identity and human connection. Driven by the desire to have an honest discussion about Indigenous identity/mixed identity, artist Nadia Myre invites viewers on an intimate journey to probe the meaning of cultural distinctiveness. The interweaving of video projection and audio narratives serves as an intriguing rumination in understanding the meaning of belonging and the importance of the art of listening.
Pemmican Eaters, The
A picture of the Riel Resistance from one of Canada's preeminent Métis poets With a title derived from John A. Macdonald's moniker for the Métis, The Pemmican Eaters explores Marilyn Dumont's sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel. Included in this collection are poems about the bison, seed beadwork, and the Red River Cart, and some poems employ elements of the Michif language, which, along with French and Cree, was spoken by Dumont's ancestors. In Dumont's The Pemmican Eaters, a multiplicity of identities is a strengthening rather than a weakening or diluting force in culture.
Worth More Standing
In Worth More Standing: An Anthology of Tree Poems, celebrated poets and activists pay homage to the ghosts of lost forests and issue a rallying cry to protect our remaining ancient giants and restore wild spaces. Themes of connection, ecology, grief, and protection are explored through poems about trees and forests written by an impressive number of influential poets, several of whom have attended the recent Fairy Creek blockades and still others who defended BC's old growth trees in Clayoquot Sound nearly 30 years ago. Contributors include ninth Parliamentary Poet Laureate Louise Bernice Halfe-Sky Dancer, GG winner Arleen Paré, Canadian icon bill bissett, Griffin Poetry Prize winner Eve Joseph, her husband ReLit Award winner Patrick Friesen, decorated cultural redress giant Joy Kogawa, Fiona Tinwei Lam, Harold Rhenisch, Jay Ruzesky, John Barton, Kate Braid, Kim Trainor, Kim Goldberg, Pamela Porter, Patricia and Terence Young, Russell Thornton, Sonnet L?Abbé, Susan McCaslin, Susan Musgrave, Tom Wayman, Trevor Carolan, Yvonne Blomer, Zoe Dickinson and the late Pat Lowther.
