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Quixotic Modernists
Quixotic Modernists gives close readings of two novels by two little-studied writers of the early twentieth century in Spain, Felipe Trigo's Las ingenuas (1901) and Maria Martinez Sierra's Tu eres la paz (1906), in relation to the canonical Tristana by Benito Perez Galdos, Spain's greatest nineteenth-century novelist. This study shows the modern message (regarding gender), and modernist qualities of the prose of these works. Included are discussions of Quijote intertexts, proverbial language and tactics, the angel and the mujer-nina, flower, water, and animal imagery, and visual arts in relation to gender definition. Also included are contemporary responses to the novels and material about the authors' lives and Spain's social conditions in the early twentieth century. Quixotic Modernists integrates these themes into a study of the novelization of difficulties in transforming contemporary gender and class roles. In all three authors' works, this process of change in roles for both men and women becomes a quixotic enterprise, in which artists as/and characters search to reconnect with an elusive material, social body.
Traces of Contamination
"Exposing two general perspectives, both manifestations of an authoritarian past that still holds a relationship with the present, this collection reveals the ideological legacy of the past and its experience as a distressing conditioner of the present. The dissonant elements of post-Franco discourse critically analyzed by our contributors challenge the seamless narrative that tells the successful story of the Spanish transition to democracy."--BOOK JACKET.
Enlightenment and Political Fiction
The easy accessibility of political fiction in the long eighteenth century made it possible for any reader or listener to enter into the intellectual debates of the time, as much of the core of modern political and economic theory was to be found first in the fiction, not the theory, of this age. Amusingly, many of these abstract ideas were presented for the first time in stories featuring less-than-gifted central characters. The five particular works of fiction examined here, which this book takes as embodying the core of the Enlightenment, focus more on the individual than on social group. Nevertheless, in these same works of fiction, this individual has responsibilities as well as rights—and these responsibilities and rights apply to every individual, across the board, regardless of social class, financial status, race, age, or gender. Unlike studies of the Enlightenment which focus only on theory and nonfiction, this study of fiction makes evident that there was a vibrant concern for the constructive as well as destructive aspects of emotion during the Enlightenment, rather than an exclusive concern for rationality.
Latin American Documentary Filmmaking
Latin American Documentary Filmmaking is the first volume written in English to examine themes in major works of Latin American documentary films. Foster looks at the major ideological issues raised and the approaches to Latin American social and political history taken by key documentary films.
Approaches to Teaching Cervantes's Don Quixote
This second edition of Approaches to Teaching Cervantes'sDon Quixote highlights dramatic changes in pedagogy and scholarship in the last thirty years: today, critics and teachers acknowledge that subject position, cultural identity, and political motivations afford multiple perspectives on the novel, and they examine both literary and sociohistorical contextualization with fresh eyes. Part 1, "Materials," contains information about editions of Don Quixote, a history and review of the English translations, and a survey of critical studies and Internet resources. In part 2, "Approaches," essays cover such topics as the Moors of Spain in Cervantes's time; using film and fine art to teach his novel; and how to incorporate psychoanalytic theory, satire, science and technology, gender, role-playing, and other topics and techniques in a range of twenty-first-century classroom settings.
Concepción Gimeno de Flaquer (1850-1919): Her Personal Letters, Short Stories, and Journalism
Concepción Gimeno de Flaquer (Alcañiz, 1850-Buenos Aires, 1919) was a Spanish journalist, newspaper editor, and author, who dedicated her life to the world of letters. She was also an intrepid international traveler at a time when it was not easy to cross the Atlantic. As a transatlantic author, she wrote novels, short stories, essays, opinion pieces, social commentary, and theater reviews. This book explores how Concepción Gimeno de Flaquer’s evolution as a writer was closely linked to the development of her political-literary project, in which a feminist activist agenda plays an important role. This critical edition contributes to existing research on Gimeno de Flaquer by examining a ...
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Pasajes: Literatura
The Pasajes series is one of the most widely used and highly respected programs for intermediate Spanish courses in North America. As in previous editions, the sixth edition of Pasajes consists of three volumes, all coordinated by theme, chapter by chapter: a review of grammar (Lengua), a cultural reader Cultura), and a literary reader (Literatura). The result is a very flexible program that can be used in any combination and thus is easily adapted to suit the needs of a wide variety of instructors and intermediate courses. The new edition offers a brand new interior design, brief new cultural readings with accompanying photos, updated and revised activities, and more!
Theatre After Empire
Emphasizing the resilience of theatre arts in the midst of significant political change, Theatre After Empire spotlights the emergence of new performance styles in the wake of collapsed political systems. Centering on theatrical works from the late nineteenth century to the present, twelve original essays written by prominent theatre scholars showcase the development of new work after social revolutions, independence campaigns, the overthrow of monarchies, and world wars. Global in scope, this book features performances occurring across Africa, the Americas, Asia, Europe, and the Middle East. The essays attend to a range of live events—theatre, dance, and performance art—that stage subal...
