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Biografie van de Pools-Amerikaanse schrijfster Anzia Yezierska (1885-1970).
In evoking the joy and pain of the Jewish immigrant experience, Anzia Yezierska has no peer. Her stories, written from the 1920s to the 1960s, immortalized the lives of the Jews of New York's Lower East Side. The Open Cage collects sixteen of her best stories and excerpts from her autobiography to illustrate her extraordinary storytelling gift as well as her personal experience as an immigrant woman. Along with her novel Bread Givers, the work gathered here constitutes her enduring achievement.Included are "The Fat of the Land," Children of Loneliness," America and I," The Lost 'Beautifulness, '" and other stories; vignettes from Red Ribbon on a White Horse: My Story; and four remarkable stories of old age. The introduction by Historian Alice Kessler-Harris and the afterword by Yezierska's daughter and biographer, Louise Levitas Henriksen, place the writings in a rich and valuable context.
Anzia Yezierska tells of her odyssey from the sweatshops of New York's Lower East Side to success in Hollywood and then a return to poverty in New York
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A literary discovery of considerable magnitude, these 98 previously unpublished poems by John Dewey, written principally in the 1910-18 period, illuminate an emotive aspect in his intellectual life often not manifest in the prose works. Rumors of the existence of the poems have circulated among students of Dewey's life and writings since 1957, when Mrs. Roberta Dewey gained possession of them from the Columbia University Columbiana collection. But except for the few persons who saw copies made by the French scholar Deladelle five years after Dewey's death, the poems have remained inaccessible until now. None of the poems has hitherto been published. Mrs. Roberta Dewey and Dewey's chi...
While individual essays reveal literary discoveries of self and forgings of identity by women rising to the opportunities and challenges of drastically altered Jewish social realities, a significant number also show the sad decline of women writers upon whom silence was reimposed. Several chapters consider how Jewish women were depicted by male writers from the Middle Ages through the mid-nineteenth century.
Salome of the Tenements shocked many critics and writers when first published in 1923, but its author was immediately hailed as a major new talent. A love story of a working-class Salome and her "highborn" John the Baptist, the novel is based on the real-life story of Jewish immigrant Rose Pastor's fairytale romance with the millionaire socialist Graham Stokes. It also reflects Yezierska's own aborted romance with the famous educator John Dewey. Yezierska's passionate but cynical novel poses oppositions such as cultural type/stereotype, passion/reason, and ethnic identity/assimilation, and it resonates powerfully to the contemporary reader.
A unique, positive collection of essays profiles a number of forgotten female Jewish leaders who played key roles in various American social and political movements, from suffrage and birth control to civil rights and fair labor practices.
Soul of a People is about a handful of people who were on the Federal Writer's Project in the 1930s and a glimpse of America at a turning point. This particular handful of characters went from poverty to great things later, and included John Cheever, Ralph Ellison, Zora Neale Hurston, Richard Wright, and Studs Terkel. In the 1930s they were all caught up in an effort to describe America in a series of WPA guides. Through striking images and firsthand accounts, the book reveals their experiences and the most vivid excerpts from selected guides and interviews: Harlem schoolchildren, truckers, Chicago fishmongers, Cuban cigar makers, a Florida midwife, Nebraskan meatpackers, and blind musicians...
The target of intense critical comment when it was first published in 1927, Arrogant Beggar’s scathing attack on charity-run boardinghouses remains one of Anzia Yezierska’s most devastating works of social criticism. The novel follows the fortunes of its young Jewish narrator, Adele Lindner, as she leaves the impoverished conditions of New York’s Lower East Side and tries to rise in the world. Portraying Adele’s experiences at the Hellman Home for Working Girls, the first half of the novel exposes the “sickening farce” of institutionalized charity while portraying the class tensions that divided affluent German American Jews from more recently arrived Russian American Jews. The s...