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Today, Indian dance in Australia is represented by professional dance artists, companies, schools, and amateur community groups. They have, over the years, performed both traditional classical works as well as Bollywood pieces, and participated in various dance and cultural festivals organised throughout Australia. Louise Lightfoot, an Australian architect turned ballet teacher, is credited with successfully promoting a range of Indian classical dance forms. Lightfoot as a dedicated impresario for Ananda Shivaram, Rajkumar Priyagopal Singh, and Ibetombi Devi, urged Australian audiences not to see Indian dance as just an ancient, mysterious, and spiritual art form, but try to truly understand the value of this complex art of Indian dance and culture in order to strengthen cultural bonds. This book brings together Lightfoot’s thirty-three essays, reflecting her broader worldview as a dancer, choreographer, and impresario. Louise’s essays segue into each other and echo her various encounters with India and its diverse cultural conditions, beliefs and philosophies.
A chance encounter led Catherine Slaney to investigate her family genealogy and revealed her great-grandfather, Dr. A.R. Abbott, Canada's first African-Canadian doctor.
The Celestial Dancers: Manipuri Dance on Australian Stage charts the momentous journey of the popularization of Manipur’s Hindu dances in Australia. Tradition has it that the people of Manipur, a northeastern state of India, are descended from the celestial gandharvas, dance and music blessed among them as a God’s gift. The intricately symbolic Hindu dances of Manipur in their original religious forms were virtually unseen and unknown outside India until an Australian impresario, Louise Lightfoot, brought them to the stage in the 1950s. Her experimental changes through a pioneering collaboration with dancers Rajkumar Priyagopal Singh and Ibetombi Devi modernized Manipuri dance for presen...
Contemporary artist Faith Ringgold has adapted the tradition of the American slave quilt to create a world in which African Americans and women dominate, where history is not only questioned but reinvented. 102 illustrations, 40 in color.
"Today, Indian dance in Australia is represented by professional dance artists, companies, schools, and amateur community groups. They have, over the years, performed both traditional classical works as well as Bollywood pieces, and participated in various dance and cultural festivals organised throughout Australia. Louise Lightfoot, an Australian architect turned ballet teacher, is credited with successfully promoting a range of Indian classical dance forms. Lightfoot as a dedicated impresario for Ananda Shivaram, Rajkumar Priyagopal Singh, and Ibetombi Devi, urged Australian audiences not to see Indian dance as just an ancient, mysterious, and spiritual art form, but try to truly understand the value of this complex art of Indian dance and culture in order to strengthen cultural bonds. This book brings together Lightfoot's thirty-three essays, reflecting her broader worldview as a dancer, choreographer, and impresario. Louise's essays segue into each other and echo her various encounters with India and its diverse cultural conditions, beliefs and philosophies."
Voyages of Body and Soul: Selected Female Icons of India and Beyond includes scholarly essays and performance/choreographic notes from a diverse range of contributors on the themes of “Mad and Divine: India’s Female Saint-Poets” and “Epic Women of India and Beyond.” The contributors explore the tendency of patriarchal societies to label exceptional saint-poets yearning for the divine as “mad” because of their resistance to normative and acceptable female behavior. Scholars and performers journey across history, with discussions ranging from the 8th century Tamil mystic poet Andal’s divine poetry, to the 16th century saint-poet Meerabai, to figures across the Indian subcontine...
Debrett's Peerage & Baronetage is the only up-to-date printed reference guide to the United Kingdom's titled families: the hereditary peers, life peers and peeresses, and baronets, and their descendants who form the fascinating tapestry of the peerage. This is the first ebook edition of Debrett's Peerage &Baronetage, and it also contains information relating to:The Royal FamilyCoats of ArmsPrincipal British Commonwealth OrdersCourtesy titlesForms of addressExtinct, dormant, abeyant and disclaimed titles.Special features for this anniversary edition include:The Roll of Honour, 1920: a list of the 3,150 people whose names appeared in the volume who were killed in action or died as a result of injuries sustained during the First World War.A number of specially commissioned articles, including an account of John Debrett's life and the early history of Debrett's Peerage and Baronetage, a history of the royal dukedoms, and an in-depth feature exploring the implications of modern legislation and mores on the ancient traditions of succession.
Peter Sculthorpe, who died in 2014, remains Australia’s best-known composer and is widely held to be the most important creative musical spirit the country has produced. Beautifully written and fastidiously researched, this authorised biography provides an insight into Sculthorpe’s formation years: his quest for personal voice, and his arrival – through many creative friendships and collaborations – at a place in the collective heart of the nation. It charts the realisation of a youthful vocation to become not merely a composer, but an Australian composer. Graeme Skinner’s biography is also a social history, examining Sculthorpe’s unique role in the creation of Australian musical modernism in the 1960s – an important era in Australia’s cultural evolution.
Provides annotations of the winning and honor books, biographies of prominent African American authors and illustrators, and interviews with Jerry Pinkney and author Walter Dean Myers.
The Dancing God: Staging Hindu Dance in Australia charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia. In the late nineteenth and early twentieth centuries, colonialism, orientalism and nationalism came together in various combinations to make traditional Hindu temple dance into a global art form. The intricately symbolic Hindu dance in its vital form was virtually unseen and unknown in Australia until an Australian impresario, Louise Lightfoot, brought it onto the stage. Her experimental changes, which modernised Kathakali dance through her pioneering collaboration with Indian dancer Ananda Shivaram, moved the Hindu dance from the sphere of ritualistic practice to formalised stage art. Amit Sarwal argues that this movement enabled both the authentic Hindu dance and dancer to gain recognition worldwide and created in his persona a cultural guru and ambassador on the global stage. Ideal for anyone with an interest in global dance, The Dancing God is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.