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Seeing Things as They Are
The jovial journalist, philosopher, and theologian G.K. Chesterton felt that the world was almost always in permanent danger of being misjudged or even overlooked, and so the pursuit of understanding, insight, and awareness was his perpetual preoccupation. Being sensitive to the boundaries and possibilities of perception, he believed that it really was possible, albeit in a limited way, to see things as they are. Duncan Reyburn, marrying Chesterton's unique perspective with the discipline of philosophical hermeneutics, aims to outline what Chesterton can teach us about reading, interpreting, and participating in the drama of meaning as it unfolds before us in words and in the world. Chesterton's unique interpretive approach seems to be theimplicit fascination of all Chesterton scholarship to date, and yet this book is the first to comprehensively focus on the issue. By taking Chesterton back to his philosophical roots - via his marginalia, his approach to literary criticism, his Platonist-Thomist metaphysics, and his Roman Catholic theology - Reyburn explicitly and compellingly tackles the philosophical assumptions and goals that underpin his unique posture towards reality.
Race, Ideology and the University - PULP FICTIONS No.8
Race, Ideology and the University - PULP FICTIONS No.8 Edited by Karin van Marle, Joel Modiri and Terblanche Delport 2014 ISSN: 1992-5174 Pages: 49 Print version: Available Electronic version: Free PDF available About the publication Keeping with its robust dialogic spirit, this edition of Pulp Fictions plays host to a diverse range of voices and perspectives. Responding to the events surrounding the publication of a controversial article by Louise Mabille, four authors from diverse (subject) positions in and outside of the University – Alfred Moraka, Gillian Schutte, Quaraysha Ishmail-Sooliman and Jaco Oelofse – focus on the issue of race and racial ideology in the University space. Whi...
The Time of Revolution
The Time of Revolution presents Heidegger as fundamentally rethinking the temporal character of revolutionary action and radical transformation.
Rethinking Philosophy and Theology with Deleuze
The debate between faith and reason has been a dominant feature of Western thought for more than two millennia. This book takes up the problem of the relation between philosophy and theology and proposes that this relation can be reconceived if both philosophy and theology are seen as different ways of organising affects. Brent Adkins and Paul R. Hinlicky break new ground in this timely debate in two ways. Firstly, they lay bare the contemporary dependence on Kant and propose that our Kantian inheritance leaves us with an insuperable dualism. Secondly, the authors argue that the philosophy of Gilles Deleuze provides a way of resolving the debate between faith and reason that does justice to philosophy and theology by reconceiving of both as assemblages. Deleuze's philosophy differentiates domains of thought in terms of what they create. This seems like a particularly fruitful way to pursue the problem of the relations among philosophy and theology because it allows their distinction without at the same time placing them in opposition to one another.
Performatives After Deconstruction
What has happened since de Man and Derrida first read Austin? How has the encounter between deconstruction and the performative affected each of these terms? In addressing these questions, this book brings together scholars whose works have been provoked in different ways by the encounter of deconstruction and the performative. Following Derrida's appeal to any rigorous deconstruction to reckon with Austin's theorems and his ever growing commitment to rethink and rewrite the performative and its multiple articulations, it is now urgent that we reflect upon the effects of a theoretical event that has profoundly marked the contemporary scene. The contributors to this book suggest various ways of re-reading the heritage and future of both deconstruction and the performative after their encounter, bringing into focus both the constitutive aporia of the performative and the role it plays within the deconstruction of the metaphysical tradition.
Here is a Table
Our understanding of racism is that it is the systematic doubt concerning the humanity of the other. It is a means to an end, namely, to pursue the dehumanisation of the other for one’s sole and exclusive benefit. The doubt is in itself ethically indefensible. Yet, it ultimately acquires the status of an incontrovertible truth around which economic and political life is organised and conducted. This has been and continues to be the reality in South Africa today. The hypothesis of this book is that a philosophical-historical study of racism will reveal that it has only ever been and continues to be white supremacy. In South Africa the actuality of the doubt is that it has always arisen from one side (“whiteness”) and directed itself against the other (“blackness”). Our purpose is to show that racism properly speaking is white supremacy and that it cannot be properly understood without African philosophy.
Deleuze and the History of Mathematics
Gilles Deleuze's engagements with mathematics, replete in his work, rely upon the construction of alternative lineages in the history of mathematics, which challenge some of the self imposed limits that regulate the canonical concepts of the discipline. For Deleuze, these challenges are an opportunity to reconfigure particular philosophical problems - for example, the problem of individuation - and to develop new concepts in response to them. The highly original research presented in this book explores the mathematical construction of Deleuze's philosophy, as well as addressing the undervalued and often neglected question of the mathematical thinkers who influenced his work. In the wake of A...
Gadamer's Poetics: A Critique of Modern Aesthetics
Gadamer's writing on art is typically seen as supporting his philosophical theory of truth. Drawing together a coherent theory of the work of art from the corpus of Gadamer's writings, this is the first full-length examination of Gadamer's theory of the work of art in its own right. Close readings of Gadamer's treatment of aesthetics in Truth and Method, as well as his many essays and lectures on art, highlight an approach to art that is not ancillary to historical, philosophical, and linguistic themes. The book establishes Gadamer's position on the criteria for the judgment of art, and the balance between production and reception from a hermeneutic perspective. Offering useful insights to some of the most tantalizing and obscure Gadamerian themes, this not only makes a significant addition to Gadamer scholarship, but provides aesthetics scholars, critics, and interpreters with new ways of thinking about art.
Immanent Transcendence
Overthe last twenty years materialist thinkers in the continental tradition haveincreasingly emphasized the category of immanence. Yet the turn toimmanence has not meant the wholesale rejection of the concept oftranscendence, but rather its reconfiguration in immanent or materialist terms:an immanent transcendence. Through an engagement with the work ofDeleuze, Irigaray and Adorno, Patrice Haynes examines how the notion ofimmanent transcendence can help articulate a non-reductive materialism by whichto rethink politics, ethics and theology in exciting new ways. However,she argues that contrary to what some might expect, immanent accounts of matterand transcendence are ultimately unable to do justice to materialfinitude. Indeed, Haynes concludes by suggesting that a theisticunderstanding of divine transcendence offers ways to affirm fully materialimmanence, thus pointing towards the idea of a theological materialism.
Levinas, Storytelling and Anti-Storytelling
An exploration of philosophical storytelling in the work of the French-Lithuanian philosopher Emmanuel Levinas.
