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Chronicling Noun's struggle for feminism, this memoir not only provides an account of one woman's emerging politics, but shows how the women's movement was affected and in fact created by remarkable women such as Noun.
Most studies of emancipation's consequences have focused on the South. Moving the discussion to the North, Leslie Schwalm enriches our understanding of the national impact of the transition from slavery to freedom. Emancipation's Diaspora follows the lives and experiences of thousands of men and women who liberated themselves from slavery, made their way to overwhelmingly white communities in Iowa, Minnesota, and Wisconsin, and worked to live in dignity as free women and men and as citizens. Schwalm explores the hotly contested politics of black enfranchisement as well as collisions over segregation, civil rights, and the more informal politics of race--including how slavery and emancipation would be remembered and commemorated. She examines how gender shaped the politics of race, and how gender relations were contested and negotiated within the black community. Based on extensive archival research, Emancipation's Diaspora shows how in churches and schools, in voting booths and Masonic temples, in bustling cities and rural crossroads, black and white Midwesterners--women and men--shaped the local and national consequences of emancipation.
A major new survey of American sculpture, exploring how it both reflects and redefines concepts of race and identity in the United States How does American sculpture intersect with the history of race in the United States? The three-dimensional qualities of sculpture give it a distinct advantage over other art forms in capturing a subject’s likeness, and our minds can swiftly conjure a body and racialize it from the most minimal of prompts. The Shape of Power examines the role of American sculpture, from the nineteenth century to today, in understanding and constructing the concept of race in the United States and how this medium has shaped the way generations have learned to visualize and...
Union General tells the story of the most successful Federal general west of the Mississippi River during the American Civil War, Samuel Ryan Curtis (1805–1866).
An account of Unitarian and Universalist clergywomen on the western frontier in the nineteenth century, this work documents the struggles of a courageous group of nineteenth-century women to find a place in the liberal denominations of American religion.
Growing out of the most radical fringes of the abolitionist movement, the Society for Universal Inquiry and Reform set out to inaugurate a new social order based on the principles of nonresistance. The Society founded eight utopian communities which, though short-lived, were the setting for the most radical questioning of antebellum American society. The members of the Society renounced all forms of coercive relationships. They attempted to live without government or private property and to model new visions of work, education, religion, economics, women's rights and roles, and community. This book tells the story of their impassioned attempt to transform the world and begin the "Government of God."
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New York Conceptualist Matthew Buckingham uses the artist's-book format to engage with the Des Moines Art Center's emblematic sculpture "Man and Pegasus" (1949) by Carl Milles--an icon from the artist's youth. Via archival and historical materials, he documents the sculpture as it appears in editions around the world.
In the wake of the Nineteenth Amendment, Republican women set out to forge a place for themselves within the Grand Old Party. As Catherine Rymph explains, their often conflicting efforts over the subsequent decades would leave a mark on both conservative