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La difusión de los trabajos de investigación en las ciencias agrícolas amplia el panorama del conocimiento científico y desarrollo tecnológico que se requiere actualmente. El libro Compendio científico en ciencias agrícolas y biotecnología (volumen 1 y 2) integran los trabajos presentados en modalidad oral y cartel por investigadores reconocidos a nivel nacional e internacional, en siete áreas temáticas: 1) Agricultura orgánica, 2) Agua y suelo, 3) Biotecnología, 4) Horticultura, 5) Inocuidad agrícola, 6) Parasitología y 7) Producción de cultivos. La primera área atiende el mejoramiento de los agroecosistemas, en el área dos se hace una compilación de los trabajos enfocados...
La difusión de los trabajos de investigación en las ciencias agrícolas amplia el panorama del conocimiento científico y desarrollo tecnológico que se requiere actualmente. El libro Compendio científico en ciencias agrícolas y biotecnología (volumen 1 y 2) integran los trabajos presentados en modalidad oral y cartel por investigadores reconocidos a nivel nacional e internacional, en siete áreas temáticas: 1) Agricultura orgánica, 2) Agua y suelo, 3) Biotecnología, 4) Horticultura, 5) Inocuidad agrícola, 6) Parasitología y 7) Producción de cultivos. La primera área atiende el mejoramiento de los agroecosistemas, en el área dos se hace una compilación de los trabajos enfocados...
Ciclo de mesas redondas en torno a la crisis alimentaria donde expertos, académicos, congresistas, líderes agrarios y periodistas reflexionaron y debatieron sobre el tema.
In Agrarian History of the Cuban Revolution, the Brazilian historian Joana Salém Vasconcelos presents in clear language the complicated challenge of overcoming the condition of Latin America’s underdevelopment through a revolutionary process. Based on diverse historical sources, she demonstrates why the sugar plantation economic structure in Cuba was not entirely changed by the 1959 Revolution. The author narrates in detail the three dimensions of Cuban agrarian transformation during the decisive 1960s — the land tenure system, the crop regime, and the labour regime —, and its social and political actors. She explains the paths and detours of Cuban agrarian policies, contextualized in a labour-intensive economy that needs desperately to increase productivity and, at the same time, promised widely to emancipate workers from labour exploitation. Cuban agrarian and economic contradictions are well-synthetized with the concept of Peripheral Socialism.
The Cuban revolution served as a rallying cry to people across Latin America and the Caribbean. The revolutionary regime has provided vital support to the rest of the region, offering everything from medical and development assistance to training and advice on guerrilla warfare. Cuba and Revolutionary Latin America is the first oral history of Cuba’s liberation struggle. Drawing on a vast array of original testimonies, Dirk Kruijt looks at the role of both veterans and the post-Revolution fidelista generation in shaping Cuba and the Americas. Featuring the testimonies of over sixty Cuban officials and former combatants, Cuba and Revolutionary Latin America offers unique insight into a nation which, in spite of its small size and notional pariah status, remains one of the most influential countries in the Americas.
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'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.