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Hesitation is a collection of 11 short stories. Wrote by Lu Xun, from 1924 to 1925. Lu Xun, formerly also romanized Lu Hsun, was the pen name of Zhou Shuren (25 September 1881 - 19 October 1936), a leading figure of modern Chinese literature. Writing in Vernacular Chinese as well as Classical Chinese, Lu Xun was a short story writer, editor, translator, literary critic, essayist, and poet. In the 1930s he became the titular head of the League of Left-Wing Writers in Shanghai."
This is the first independent, full-life biography of Lu Xun, the most celebrated Chinese writer of the twentieth century, in any European language. It sets aside all the propaganda that has accrued over the sixty-six years since his death, and presents him as a credible human being, neither aggrandized nor belittled. While taking on board the findings of the most recent research on Lu Xun's life, and so being of interest to specialists, this biography is designed to be understood by any reader. As Lu Xun's life spanned the transition from Manchu empire to citizens' Republic, it can be seen as one man's history of China's progress to modernity—a progress in which he personally played a significant part. The facts of Lu Xun's life are presented objectively, but they do not always speak for themselves. The author has therefore drawn on his lifelong study of modern Chinese literature to offer intelligent interpretations where necessary. Since the subject of this biography was a writer, the author has appended to the chronicle some brief 'sketches' of his work for the benefit of those unacquainted with it.
This book studies one of the most important figures in modern Chinese intellectual history, China's greatest modern writer, Lu Xun (1881-1936). His trenchant criticisms of the China of his day still speak directly to what can be called, without hyperbole, the current crisis in philosophical and political thought in the People's Republic. It is also a study of a non-Western intellectual's struggle--in a time of crisis--to make practical sense of the "Darwinian Revolution," a revolution not limited to the West. Although Lu Xun died more than sixty years ago, his work is still alive in China (more so than any American writer of the 1920s and 1930s is in the United States). He is viewed paradoxically as both an official icon and as a patron saint of dissent. This book is, therefore, about Lu Xun both in his lifetime and in his second lifetime--and it looks to his third. But it is not just about Lu Xun. It is about Lu Xun and evolution. As a philosophical critique of Lu Xun's thought, it looks to Lu Xun's struggle to make practical sense of evolution, a contradiction that forces "either/or" questions on the Chinese, and on us all.
The acclaimed translation of the complete fiction of the father of modern Chinese literature Lu Xun is one of the founding figures of modern Chiense literature. In the early twentieth century, as China came up against the realities of the modern world, Lu Xun effected a shift in Chinese letters away from the ornate, obsequious literature of the aristocrats to the plain, expressive literature of the masses. His celebrated short stories assemble a powerfully unsettling portrait of the superstition, poverty, and complacency that he perceived in late imperial China and in the revolutionary republic that toppled the last dynasty in 1911. This volume presents Lu Xun's complete fiction in bracing n...
Recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the nation’s conscience, a writer comparable to Shakespeare or Tolstoy. Gloria Davies’s vivid portrait gives readers a better sense of this influential author by situating the man Mao Zedong hailed as “the sage of modern China” in his turbulent time and place.
Literature in Times of Revolution (1927) -- Miscellaneous Thoughts (1927) -- The Divergence of Art and Politics (1928) -- Literature and Revolution: A Reply (1928) -- An Overview of the Present State of New Literature (1929) -- A Glimpse at Shanghai Literature (1931) -- On the "Third Type of Person" (1932) -- The Most Artistic Country (1933) -- The Crisis of the Small Essay (1933) -- V. On Modern Culture -- Impromptu Reflections No. 48 (1919) -- Untitled (1922) -- What Happens after Nora Walks Out (1924) -- On Photography and Related Matters (1925) -- Modern History (1933) -- Lessons from the Movies (1933) -- Shanghai Children (1933) -- How to Train Wild Animals (1933) -- Toys (1934) -- The Glory to Come (1934) -- The Decline of the Western Suit (1934) -- Take-ism (1934) -- Ah Jin (1936) -- Written Deep into the Night (1936) -- Notes -- Lu Xun's Oeuvre -- Acknowledgments -- Illustration Credits -- Index