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This is the first biography about Anna May Wong, an extraordinary Asian American woman who became the country's most famous film actress of Chinese descent. This multi-faceted tale takes the reader on a compelling journey through Wong's early years in Los Angeles and her first Hollywood pictures--films that led to her international fame. It is also an examination into the scope of race, gender, and power and their impact on her personal growth as a Chinese American.
This is the first English-language account of the modern history of China’s art market that explains the radical transformations from the end of the Cultural Revolution, when a market for art and artifacts did not exist, to today. The book is divided into three sections: Part I examines how the art market in China was suspended during the Cultural Revolution, restarted, grew, and expanded into its current scale. Part II analyzes the distinctive value system of the Chinese art market where the state-run art system including academies, artist associations and museums co-exist with an independent market-oriented system; and traverses the most significant policies that drive decision-making and market structure. Part III explores the driving force of art creation by telling the stories of five contemporary artists across three generations. Arts and culture professionals, scholars, and students interested in Chinese art, global art markets, Chinese government policy, and China will find this to be a valuable resource.
This book presents in eight chapters the work of over 75 Chinese female artists, both pictorial and poetic. Their art is viewed within a framework of eight themes. The broad topics explored include the body; life; the representation of the experience of being a woman; home and the world; a view of children and other women; clothes; social conscience; fantasy; and abstraction—nonfigurative work and its viability as a medium to express the spiritual. These themes provide several lenses through which to enjoy and compare these artists’ approaches and outputs. The volume is unique in its inclusion of poetry by contemporary women whose voices articulate so many of the same concerns as the visual artists. In China, poetry has always been the prime form of artistic expression, and it remains so today. Looking at this poetry affords us a different means of appreciating the art of women in contemporary society.
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Perhaps for Lu Yang, fate is unfair.He is the childe of the Lu family, but also the most humble illegitimate of the Lu family. The father and his principal wife lived in the exquisite courtyard, but Lu Yang and his mother who were abandoned by the family lived in the most deserted cottage. Lu Yang dod not understand literature, nor did he have the martial cultivation. Even if he is ridiculed as a waste by the people, there is no way.That year, Lu Yang was humiliated and lost his loved ones. Now, returning from the Asura world, Lu Yang wants to change all of this, and let Heaven and Earth submit to his feet.☆About the Author☆Banmu Pond is an excellent fantasy novel writer. He has written a total of eight novels, including Asura Continent, Piggy's School Years, Yin and Yang Ghost Emperor and so on. The pen name of Banmu Pond was taken from the poem of Zhu Xi, a poet of the Song Dynasty. The author expressed his attitude towards reading and the pursuit of new knowledge.
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Tian Lun moved! The path to the highest point had opened! Who else would Lu Yang be if not him? War God? It was just an ant ... Immortal? God? Damn it... Saint realm? Causality? Tear him to shreds and perish, then send him to the cycle of reincarnation .... Slaughter? The main characters never show mercy.
Illustrates artistic expressions made with an emphasis on videogames. Text in English and Italian.