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"'Beyond New Media Art' is an attempt to analyze the current positioning of so-called New Media Art in the wider field of contemporary arts, and to explore the historical, sociological and conceptual reasons for its marginal position and under-recognition in recent art history. On the other hand, this book is also an attempt to suggest new critical and curatorial strategies to turn this marginalization into a thing of the past, and to stress the topicality of art addressing the media and the issues of the information age"--Publisher.
This long-awaited visual survey of art and the Internet over the last two and a half decades explores the legacy of the Internet on art and reveals how artists and institutions are using it and why. Original, 3,000 first printing.
Illustrates artistic expressions made with an emphasis on videogames. Text in English and Italian.
Damiano Nava (1982) likes to use the camera as a diary. After moving to Berlin, in November 2009, he found it hard to spontaneously meet people of his generation who might be interested in being photographed. He didn't speak German, and it was hard for him to establish the kind of intimate relationship required for the project. "I was like someone having problems finding a soulmate, so it seemed like a natural step to turn to the internet", he writes in his introduction. He wrote an ad and posted it on Craigslist and Exberliner. For about two years, the ad generated new contacts. Nava received about a thousand e-mails, met around a hundred people and took pictures of the few who were comfortable with him.This book gathers these photos, together with a selection of the emails he received, and an "Afterword" by Italian art critic and curator Guido Bartorelli. A faithful portrait of a generation, with its narcissism and its peculiar relationship with traveling, communication, body language and image making.
"Eva and Franco Mattes are the Italian artist-provocateurs behind the infamous website 0100101110101101.ORG. Pioneers of the Net Art movement, they are renowned for masterful subversions of public media, such as their notorious (and unauthorized) Nike advertising campaign"--P. 4 of cover.
This book inaugurates a new phase in kitsch studies. Kitsch, an aesthetic slur of the 19th and the 20th century, is increasingly considered a positive term and at the heart of today’s society. Eleven distinguished authors from philosophy, cultural studies and the arts discuss a wide range of topics including beauty, fashion, kitsch in the context of mourning, bio-art, visual arts, architecture and political kitsch. In addition, the editors provide a concise theoretical introduction to the volume and the subject. The role of kitsch in contemporary culture and society is innovatively explored and the volume aims not to condemn but to accept and understand why kitsch has become acceptable today.
ÇThere is this hacker slogan: ÒWe love your computer.Ó We also get inside people's computers. And we are honored to be in somebody's computer. You are very close to a person when you are on his desktop.È Jodi, 1997 This book is a collection of texts written by Domenico Quaranta between 2005 and 2010 for exhibition catalogues, printed magazines and online reviews: a pocket version of what the author would save from the universal flood, in a world without computers. Most of the fields of research he has developed are represented: from Net Art to Software Art and videogames, from biotechnologies to the debate around curating and the positioning of New Media Art in the contemporary landscape, and back to Net Art again.
Almost two decades after the events of 9/11, this Handbook offers a comprehensive insight into the evolution and development of terrorism and insurgency since then. Gathering contributions from a broad range of perspectives, it both identifies new technological developments in terrorism and insurgency, and addresses the distinct state responses to the threat of political, or religiously motivated violence; not only in the Middle East and Europe, but also in Africa, South and Southeast Asia, and North and South America.
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What is the role of the curator when organizing digital art exhibitions in offline and online spaces? Analyzing the influence and impact of curating digital art, the book focuses on how the experiments of curators, artists and designers opened the possibility to reconfigure traditional models and methods for presenting and accessing digital art. In the process, it addresses how web-based practices challenge certain established museological values and precipitate alternative ways of understanding art's stewardship, curatorial responsibility, public access and art history. Through more than twenty interviews with artists and curators in the course of the last ten years, and flanked by an extensive timeline, the reader of this publication is given an insight into the discourse on digital art and its curation today.