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Inside the Invisible investigates the life and works of Turner Prize-winning Black British artist and curator Lubaina Himid (CBE) to provide the first study of her lifelong determination to do justice to the hidden histories and untold stories of Black women, children, and men bought and sold into transatlantic slavery.
Inside the Invisible investigates the life and works of Turner Prize-winning Black British artist and curator Lubaina Himid (CBE) to provide the first study of her lifelong determination to do justice to the hidden histories and untold stories of Black women, children, and men bought and sold into transatlantic slavery.
Brenda Agard, Chila Burman, Claudette Johnson, Ingrid Pollard, Jennifer Comrie, Lubaina Himid, Marlene Smith, Maud Sulter, Sonia Boyce, Sutapa Biswas, Veronica Ryan.
A powerful document of the day-to-day realities of Black women in Britain The Heart of the Race is a powerful corrective to a version of Britain’s history from which black women have long been excluded. It reclaims and records black women’s place in that history, documenting their day-to-day struggles, their experiences of education, work and health care, and the personal and political struggles they have waged to preserve a sense of identity and community. First published in 1985 and winner of the Martin Luther King Memorial Prize that year, The Heart of the Race is a testimony to the collective experience of black women in Britain, and their relationship to the British state throughout its long history of slavery, empire and colonialism. This new edition includes a foreword by Lola Okolosie and an interview with the authors, chaired by Heidi Safia Mirza, focusing on the impact of their book since publication and its continuing relevance today
'An empowering read . . . it is refreshing to see somebody celebrate the role that black Britons have played in this island's long and complicated history' DAVID LAMMY, author of Tribes, in 'The best books of 2020', the Guardian 'Timely and so important . . . recognition is long overdue . . . I would encourage everyone to buy it!' DAWN BUTLER MP A long-overdue book honouring the remarkable achievements of key Black British individuals over many centuries, in collaboration with the 100 Great Black Britons campaign founded and run by Patrick Vernon OBE. 'Building on decades of scholarship, this book by Patrick Vernon and Dr Angelina Osborne brings the biographies of Black Britons together and ...
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Dedicated to the work of contemporary Black artists from around the world, this book is an exuberant introduction to artists from Africa and of African descent for young readers. Written by award-winning Black children’s author Sharna Jackson, this engaging book introduces young readers to twenty-six contemporary artists from Africa and of the African diaspora, working in everything from painting, sculpture, and drawing to ceramics, installation art, and sound art. These include prominent American artists Kerry James Marshall, Faith Ringgold, portraitist to Michelle Obama Amy Sherald, and Kehinde Wiley; British Turner Prize–winning painters Lubaina Himid and Chris Ofili; renowned South A...
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Women, the Arts and Globalization: Eccentric Experience is the first anthology to bring transnational feminist theory and criticism together with women's art practices to discuss the connections between aesthetics, gender and identity in a global world. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the center of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women's art practices provide a fascinating instance of women's eccentric experiences of the myriad effects of globalization. Bringing scholarly essays on gender, art and globalization together with interviews and autobiographical accounts of personal experiences, the diversity of the book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense.
Soldering geologic fieldnotes and experimental performance score, null landing attempts a poetics of incalculability. Bad made measure and speculation on value emerge as creative instruments in a confrontation with colonial language and disciplinarity. An extended consideration of the geopolitical encounter, this debut collection orchestrates black spatial practice, data aggregation, and performative utterance/text. Poet and reader embark on a series of forays into archaeometallurgy, ornithology, and quantum mechanics, navigating remote sites of poetic exchange and discharge, or null islands. Meandering annotation and citation function as a corollary mode of engaging vast underlying architec...