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Folktales Told Around the World
All the selections in Richard M. Dorson's Folktales Told around the World were recorded by expert collectors, and the majority of them are published here for the first time. The tales presented are told in Africa, Asia, the Middle East, Europe, North and South America, and Oceania. Unlike other collections derived in large part from literary texts, this volume meets the criteria of professional folklorists in assembling only authentic examples of folktales as they were orally told. Background information, notes on the narrators, and scholarly commentaries are provided to establish the folkloric character of the tales.
Many voices
This volume provides a historical overview of the development and role of Anglo-Canadian folklore studies in Canada and their relationship to similar research conducted with respect to French Canadians, minority groups within Canada, within the wider Canadian context, and at the international level.
American Folklore
Contains over 500 articles Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography. Special features *More than 2000 contributors *Over 500 articles spotlight folk literature, music, crafts, and more *Alphabetically arranged *Entries accompanied by up-to-date bibliographies *Edited by America's best-known folklore authority
Undisciplined Women
Redressing a neglect of women's traditions and feminist perspectives in Canadian folklore studies, 20 contributions discuss female experiences of traditional culture from feminist viewpoints. The authors look at the effect of gender on the collecting and interpreting of women's folklore, negative and positive images of women in traditional and popular culture, and women's use of creativity in their everyday lives. Some contributors are nonacademics. Annotation copyrighted by Book News, Inc., Portland, OR
A History of Canadian Literature
"New offers an unconventionally structured overview of Canadian literature, from Native American mythologies to contemporary texts." Publishers Weekly A History of Canadian Literature looks at the work of writers and the social and cultural contexts that helped shape their preoccupations and direct their choice of literary form. W.H. New explains how – from early records of oral tales to the writing strategies of the early twenty-first century – writer, reader, literature, and society are interrelated. New discusses both Aboriginal and European mythologies, looking at pre-Contact narratives and also at the way Contact experience altered hierarchies of literary value. He then considers re...
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Out of the Northwoods
Every American has heard of the lumberjack hero Paul Bunyan and his big blue ox. For 100 years his exploits filled cartoons, magazines, short stories, and children's books, and his name advertised everything from pancake breakfasts to construction supplies. By 1950 Bunyan was a ubiquitous icon of America's strength and ingenuity. Until now, no one knew where he came from—and the extent to which this mythical hero is rooted in Wisconsin. Out of the Northwoods presents the culture of nineteenth-century lumberjacks in their own words. It includes eyewitness accounts of how the first Bunyan stories were shared on frigid winter nights, around logging camp stoves, in the Wisconsin pinery. It describes where the tales began, how they moved out of the forest and into print, and why publication changed them forever. Part bibliographic mystery and part social history, Out of the Northwoods explains for the first time why we all know and love Paul Bunyan.
Folktales of Newfoundland (RLE Folklore)
This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.
