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"Ando selected for inclusion the thirty-five projects that best embody his belief that the interplay with nature defines architecture and the passage of time molds architecture. All are shown in spectacular, specially commissioned color photography. Among the major recent works are the Modern Art Museum of Fort Worth in Texas; the Komyo-ji Temple in Saijo, Japan; the meditation space for UNESCO in Paris; the Pulitzer Foundation for the Arts in St. Louis; and the Armani/Teatro in Milan. Also included are some of Ando's most important and well-known earlier works, including the Church of the Water in Hokkaido, the Church of the Light in Ibaraki, and a series of houses throughout Japan."--BOOK JACKET.
After the Second World War, a divided Europe was much affected by a period of reconstruction. This was influenced by the different political systems – in the socialist East and in the capitalist West, the focus was on cohesion in society and its cultural and architectural expression. In parallel to the rapidly progressing industrialization of the building industry, debates on the humanization of the built environment were led on both sides with great intensity. The volume shows how, on the back of existentialism, new monumentality, and socialist realism, quite similar concepts and strategies were developed in order to find answers to questions relating to adequate structures for new forms of community and identity.
"The volume, presented in an elegant box, illustrates the intervention on the recovery and transformation of the 19th century volume of the former wine warehouse on the seaside boulevard of Trieste. The design does not modify the original volume but invades it by excavating the space for another completely independent, ethereal and translucent building inside it, dimensioned to the rhythm of the masonry wall of the original façade. The physical gap between the new 'product' and the historical screen has become a fascinating locus between internal and external. The glass that seals the internal shell reflects the outlines of the warehouse walls and their openings, allowing for visibility of ...
A 360-degree review of the architectural developments of the twentieth century, Arch.The twentieth-century movements retraces the history of the best-known groups and movements, as well as underlining the powerful influence of trends such as Totalitarian Architecture, Tropical Architecture, Social-Realist Architecture, Blob Architecture and Neo-Vernacular, all of which played a significant role in the rise and evolution of modern trends in the discipline. In tackling a highly complex century characterized by the rise of globalization, this exhaustive overview does not confine itself to analysing architectural trends in Western countries but expands its field of vision to include world architecture as well. A comprehensive study and research tool, the book is divided into chapters devoted to each individual movement, with a selection of critical essays and numerous photographs of the most important works and projects. Lastly, a brief thematic bibliography and other research tools make Arch an indispensable instrument for students of architecture, design and engineering, as well as anyone with a passion for the subject.
Goods made or designed in Italy enjoy a profile which far outstrips the country's modest manufacturing output. Italy's glorious design heritage and reputation for style and innovation has 'added value' to products made in Italy. Since 1945, Italian design has commanded an increasing amount of attention from design journalists, critics and consumers. But is Italian design a victim of its own celebrity? Made in Italy brings together leading design historians to explore this question, discussing both the history and significance of design from Italy and its international influence. Addressing a wide range of Italian design fields, including car design, graphic design, industrial and interior design and ceramics, well-known designers such as Alberto Rosselli and Ettore Sottsass, Jr. and iconic brands such as Olivetti, Vespa and Alessi, the book explores the historical, cultural and social influences that shaped Italian design, and how these iconic designs have contributed to the modern canon of Italian-inspired goods.
Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
This book thoroughly reviews the present knowledge on silicon micromechanical transducers and addresses emerging and future technology challenges. Readers will acquire a solid theoretical and practical background that will allow them to analyze the key performance aspects of devices, critically judge a fabrication process, and then conceive and design new ones for future applications. Envisioning a future complex versatile microsystem, the authors take inspiration from Richard Feynman’s visionary talk “There is Plenty of Room at the Bottom” to propose that the time has come to see silicon sensors as part of a “Feynman Roadmap” instead of the “More-than-Moore” technology roadmap. The sharing of the author’s industrially proven track record of development, design, and manufacturing, along with their visionary approach to the technology, will allow readers to jump ahead in their understanding of the core of the topic in a very effective way. Students, researchers, engineers, and technologists involved in silicon-based sensor and actuator research and development will find a wealth of useful and groundbreaking information in this book.
The Society of Interiors discusses a variety of spatial practices which critique, reveal, and resist the economical logic of a neo-liberal market. A market that caters for exclusiveness and individualities, where public space becomes an interior, that is highly controlled and privatized. The different essays unpack, develop and expand a diversity of interior and spatial practices in urban contexts that allow for a diverse public, express differences, and create other experiences and situations. Authors include the architect and researcher Tatjana Schneider, editor of the publication Spatial Agency (Routledge 2011); the activist architect Petra Pferdmenges from alive architecture in Brussels, the architectural theorist Peter Lang; the architect and artist Tor Lindstrand; as well as Rochus Hinkel, whose research focuses on the intersections between interior, architecture and urban environments.