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Examining 150 of his major works in chronological order, this book offers a unique and extensive look into the life and work of one of the world's greatest artists. The works covered include: woodcuts, engravings, oil paintings, watercolors and chalk drawings. Combined with a detailed biography, these works will give the reader unparalleled insight into Cranach's development as an artist.
Lucas Cranach (1472-1553) was one of the greatest artists of the Renaissance, as shown by the diversity of his artistic interests as well as his awareness of the social and political events of this time. He developed a number of painting techniques which were afterwards used by several generations of artists. His somewhat mannered style and spending palette are easily recognized in numerous portraits of monarchs, cardinals, courtiers and their ladies, religious reformers, humanists and philosophers. A part of the Great Painters Collection, translated from the Russian by Paul Williams. 109 full color plates and numerous black and white and two-color illustrations interspersed by text. Includes a chronological table of the work of Cranach and his notable contemporaries.
A revealing new account of the life and work of this early modern German printmaker. This captivating biography brings Lucas Cranach the Elder into the spotlight for the twenty-first century. The illuminating narrative unveils an artist whose vision transcended personal brilliance, seeking rather to elevate his nascent nation. Perhaps Cranach's most remarkable achievement lay in forging a robust Lutheran community around his work. Using prints, the prevailing medium of mass communication, he developed an intricate symbolism that resonated with the populace in early modern Germany. On the other hand, Cranach also produced many paintings of female nudes, which this book returns to their central place in the artist's life as symbols of Germany's rich cultural connections with ancient Greece and Rome.
This book presents Cranach's Reformation painting to a broader audience and explains the pictorial strategies Cranach devised to clarify and interpret Lutheran thought. For specialists in Reformation history, this study offers an interpretation of Cranach's art as an agent of religious change. For historians and students of Renaissance art, this study explores the defining work of a major sixteenth-century artist.
The first richly illustrated study of the working methods and materials used by one of the most inventive painters of Renaissance Germany
Lucas Cranach the Elder created around 500 works during his lifetime. With his portraits of Martin Luther and Philipp Melanchton and as court painter to Frederick the Wise, he became one of the most sought-after painters of the Reformation. At the same time, Cranach was the first to translate the Italian Renaissance tradition of the life-size nude into art north of the Alps; his lascivious, barely veiled depiction of Venus, the goddess of love, bears witness to this. On the occasion of the large Cranach exhibition at the Kunsthistorisches Museum in Vienna, the Austrian writer Teresa Präauer explores the work of this busy prince of painters from A to Z.
Law and gospel and the strategies of pictorial rhetoric -- The Schneeberg altarpiece and the structure of worship -- The Wittenberg altarpiece : communal devotion and identity -- Holy visions and pious testimony: Weimar altarpiece -- Public worship to private devotion : Cranach's Reformation Madonna panels.
One of the most versatile artists of the German Renaissance and a close friend of Martin Luther, Lucas Cranach the Elder (1472-1553) is the archetypal painter of the Reformation. His activities as a painter, printmaker, and book illustrator reveal a distinctly individual style, and his skill in many different media helped him to create a highly successful workshop. Financially more successful than his contemporary Albrecht Durer, Cranach's influence on the development of German painting was profound. His outstanding gifts are evident not only in his portrayal of landscape, animals, and the female nude, but also in devotional paintings and portraiture, in his later work as chief propagandist of the Protestant cause, and in his inventive treatments of biblical and mythological subjects. Published to accompany a major traveling exhibition, this handsome publication stimulates our appreciation of the artist by bringing together works of many different themes, both sacred and profane, notable for their originality. Superbly illustrated throughout, the book contains seven insightful essays by leading authorities.