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From the New York Times bestselling author?the fourth passionate romance in the Border Chronicles series. Lady Cicely Bowen, daughter of the Earl of Leighton, is sent away by her father when her jealous stepmother threatens her safety. Soon the exiled Cicely becomes best friends with Lady Joan Beaufort, the king?s cousin?and when Joan is married to King James I of Scotland she chooses Cicely as one of the ladies accompany her north? At the Scot?s court Cicely finds herself pursued by two men?elegant Andrew Gordon, the laird of Fairlee, and Ian Douglas, the laird of Glengorm, a rough-spoken border lord. When Ian kidnaps Cicely just as Andrew is about to propose, the royal court is sent into an uproar. The queen is demanding the return of her friend and the Gordons are threatening to set the border on fire. But the border lord is difficult to tame?and the lady?s heart is even harder to claim.
Describe la migración italiana al Perú, dando a conocer los problemas que enfrentaron los inmigrantes italianos entre 1855-1890 y las razones del fracaso de la inmigración al Perú. Informa el desarrollo de los italianos en el Chanchamayo, Lima y Callao en la segunda mitad del 1800. Detalla la descendencia de los hermanos Miguel y Antonio D'Angelo Pappalardo naturales de Palermo, Sicilia que llegaron al Callao aproximadamente entre 1851 y 1855.
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Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.
Opera in the Tropics is an engaging exploration of theater with music in Brazil from the mid 1500s to the early 1820s. Author Rogério Budasz delves into the practices of the actors, singers, poets, and composers who created and performed Jesuit moral plays, Spanish comedias, and Portuguese vernacular operas and entremezes during the colonial period, as well as the Italian operas that celebrated the new independent nation in 1822. A Brazilian producer claimed in 1825 that the goal of music-theater was to instruct, entertain, and distract the population. Budasz argues that this threefold goal had in fact been present throughout the colonial period, in different combinations and with different...