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"Communication for Development is a multidisciplinary area of study and work that is based on two-way models of communication, going beyond diffusion and dissemination of information. Its functions range from engaging stakeholders in problem analysis and risk assessment to supporting behavior and social change. The experiences recounted here are drawn from the various sessions of the Congress and emphasize the value of using Communication for Development to engage stakeholders in a professional and systematic manner for more effective and sustainable project design and implementation."--BOOK JACKET.
Samba is Brazil's "national rhythm," the foremost symbol of its culture and nationhood. To the outsider, samba and the famous pre-Lenten carnival of which it is the centerpiece seem to showcase the country's African heritage. Within Brazil, however, samba symbolizes the racial and cultural mixture that, since the 1930s, most Brazilians have come to believe defines their unique national identity. But how did Brazil become "the Kingdom of Samba" only a few decades after abolishing slavery in 1888? Typically, samba is represented as having changed spontaneously, mysteriously, from a "repressed" music of the marginal and impoverished to a national symbol cherished by all Brazilians. Here, however, Hermano Vianna shows that the nationalization of samba actually rested on a long history of relations between different social groups--poor and rich, weak and powerful--often working at cross-purposes to one another. A fascinating exploration of the "invention of tradition," The Mystery of Samba is an excellent introduction to Brazil's ongoing conversation on race, popular culture, and national identity.
In the eight pieces that make up Land Without History, first published in Portuguese in 1909, Euclides da Cunha offers a rare look into twentieth century Amazonia, and the consolidation of South American nation states. Mixing scientific jargon and poetic language, the essays in Land Without History provide breathtaking descriptions of the Amazonian rivers and the ever-changing nature that surrounds them. Brilliantly translated by Ronald Sousa, Land Without History offers a view of the ever changing ecology of the Amazon, and a compelling testimony to the Brazilian colonial enterprise, and its imperialist tendencies with regard to neighboring nation-states.
Paperback
No one knows more about comedy than Steve Allen. For more than five decades as a writer, performer, and keen observer of the social scene, he has looked into every aspect of who's funny, what's funny, and why. Allen shares his discoveries in How to Be Funny, the book designed to help everyone develop their special talent for funniness. Now reissued in paperback, How to Be Funny covers all the basics, including joke telling, ad-libbing, writing humorously, performing comedy, emceeing, and much more. Allen takes you inside the world of comedy, from the early writings of Mark Twain, to the more contemporary work of Rodney Dangerfield and Bill Maher. Allen even provides homework assignments for the budding comic! Yet How to Be Funny is far more than just a book for aspiring comedians it will help anyone who wants to be a more amusing conversationalist, a more effective public speaker, and everyone who just wants to be the life of the party.
Finding your Definite Chief Aim is the closest thing life grants you to a magic elixir. This book guides you to unearth your core, passionately-felt aim, unlocking energies and abilities you never knew existed within you. In a grounded and serious manner, Mitch reveals why this is so and - most importantly - shows exactly how to find your individual purpose. Once discovered, your aim will mean everything to you. Harness your limitless abilities and revel in what you can achieve. An approved production of the Napoleon Hill Foundation
On the Pope (Du Pape) is the main political-philosophical work of the counter-revolutionary writer and philosopher, Joseph de Maistre. Maistre worked for 20 years on the writing of his magnum opus, a book that laid the foundation for his invention of political ultramontanism. Ultramontanism was a school of thought of the Catholic Church that promoted the doctrine of central papal supremacy in matters of governance and spirituality. Championed by Pope Pius IX, the ultramontanists attained their greatest triumph in the late 19th century with the formal proclamation of papal primacy and infallibility. On the Pope is divided into four parts. In the first part, Maistre makes the argument for his ...