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Anya Seton
Anya Seton was the bestselling author of 10 historical novels, including the masterpieces Katherine and The Winthrop Woman, which are still widely beloved over 60 years after their publication; yet there has never before been a book-length biography about this great American writer. Ann Seton was born in 1904 the daughter of two celebrity writers: Ernest Thompson Seton and Grace Gallatin Seton. At age 36 and self-renamed Anya, she placed her first novel with a major publisher. Anya the author was protective of her private life yet also mused, "I suppose I write myself over and over again in my heroines." She reinvented herself within carefully researched historical settings and biographical materials that provided both escape and wish-fulfillment. In journal entries, letters, and "self-analyses," she provides an intimate study of what it meant to her to be a writer. She wrote probably her own best epitaph while working on her masterpiece, Katherine "My forte is story, and a peculiarly meticulous (fearful, yes) desire to weave historical fact into story. Make history come alive and as exciting as the past is to me."
The Companion to Southern Literature
Selected as an Outstanding Academic Title by Choice Selected as an Outstanding Reference Source by the Reference and User Services Association of the American Library Association There are many anthologies of southern literature, but this is the first companion. Neither a survey of masterpieces nor a biographical sourcebook, The Companion to Southern Literature treats every conceivable topic found in southern writing from the pre-Columbian era to the present, referencing specific works of all periods and genres. Top scholars in their fields offer original definitions and examples of the concepts they know best, identifying the themes, burning issues, historical personalities, beloved icons, ...
Recollections of a Southern Daughter
The first unabridged publication of the memoirs of Cornelia Jones Pond, a privileged child of a slaveholding family in Georgia, follws her life from her birth into the antebellum world of 1834, through the apocalyptic Civil War, and beyond. UP.
The Dream of Arcady
"This is a well-organized, gracefully written account of a significant aspect of Southern fiction, and it contains information and incisive commentary that one can find nowhere else." --Thomas Daniel Young Many southern writers imagined the South as a qualified dream of Arcady. They retained the glow of the golden land as a device to expose or rebuke, to confront or escape the complexities of the actual times in which they lived. The Dream of Arcady examines the work of post-Civil War southern writers who criticize the myth of the South as pastoral paradise. Sooner or later in all their idealized worlds, the idyllic vision fades in an inescapable moment of awakening. This moment, which is ce...
The Blaxploitation Horror Film
Key Selling Points: · This book is the first to focus upon Blaxploitation horror films, and the first to link these films with both mainstream horror films and classic Gothic novels and stories. · This book provides readers with innovative and thought-provoking analyses of Blaxploitation horror films, conventional horror films, and major works of Gothic fiction. · It considers how Blaxploitation horror films of the 1970s addressed issues of deep concern to their contemporary audiences, including not only racism and the Black Power movement, but also women’s and gay rights, the status of the African American family, the role of religion, and relations between the community and the police.
The Silent Appalachian
Appalachian literature is filled with silent or non-discursive characters. The reasons for their wordlessness vary. Some are mute or pretend to be, some choose not to speak or are silenced by grief, trauma or fear. Others mutter monosyllables, stutter, grunt and point, speak in tongues or idiosyncratic language. They capture the reader's attention by what they don't say.
Diversity Regimes
In Diversity Regimes, James M. Thomas uncovers a complex combination of meanings, practices, and actions that work to institutionalize universities' commitments to diversity, but in doing so obscure, entrench, and even magnify existing racial inequalities. Drawing on two years of ethnographic field work at so-called "Diversity University," Thomas provides new insights into the social organization of multicultural principles and practices.
Swallow Barn
Originally published in 1832 and revised in 1851, Swallow Barn, John Pendleton Kennedy’s novel of antebellum life on a tidewater Virginia plantation, was described by its author as “variously and interchangeably partaking of the complexion of a book of travels, a diary, a collection of letters, a drama, and a history.” Swallow Barn has returned from oblivion many times in the past 150 years, in part because it resists categorization and retains its originality. It is a novel that is not a novel, written by a man who was and was not a southerner or even, by his own reckoning, a writer. Swallow Barn began as a series of letters written by a Mark Littleton (Kennedy) to his hometown neighb...
The Stuff of Our Forebears
Connecting Cather's work to the southern literary tradition and the South of her youth
Rhetorics of Fantasy
This sweeping study of fantasy literature offers “new and often surprising readings of works both familiar and obscure. A fine critical work” (Journal of the Fantastic in the Arts). Transcending arguments over the definition of fantasy literature, Rhetorics of Fantasy introduces a provocative new system of classification for the genre. Drawing on nearly two hundred examples of modern fantasy, author Farah Mendlesohn identifies four categories—portal-quest, immersive, intrusion, and liminal—that arise out of the relationship of the protagonist to the fantasy world. Using these sets, Mendlesohn argues that the author's stylistic decisions are then shaped by the inescapably political de...
