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I Santi di Venezia
Libro sulla storia dei santi di Venezia
cocktails graffiti
libro di cocktails internazionali con dipinti originali in tecnica mista 90 ricette , 21 storie ,94 dipinti e disegni .scritto in italiano e inglese. book of internationals cocktails with 94 paintings in mixed techniques , 90 recipes, and 21 histories , written in italian and english
LIDO J
Storia di Jesolo scritta in Italiano e in Tedesco, con 10 disegni in acquerello
Catalogue
None
Il Carroccio
None
Italian Gothic Horror Films, 1980-1989
The Italian Gothic horror genre underwent many changes in the 1980s, with masters such as Mario Bava and Riccardo Freda dying or retiring and young filmmakers such as Lamberto Bava (Macabro, Demons) and Michele Soavi (The Church) surfacing. Horror films proved commercially successful in the first half of the decade thanks to Dario Argento (both as director and producer) and Lucio Fulci, but the rise of made-for-TV products has resulted in the gradual disappearance of genre products from the big screen. This book examines all the Italian Gothic films of the 1980s. It includes previously unpublished trivia and production data taken from official archive papers, original scripts and interviews with filmmakers, actors and scriptwriters. The entries include a complete cast and crew list, plot summary, production history and analysis. Two appendices list direct-to-video releases and made-for-TV films.
Darkening the Italian Screen II
This work is a detailed portrait of one of the most important, bustling and absurd industries that cinema has ever known: colorful essays and nine career-spanning interviews with Italian genre directors of the 1970s, such as Luigi Cozzi, Francesco Barilli, Lamberto Bava and more. The directors reflect on their successes, failures and experiences directing films in the Italian westerns, sci-fi and horror genres. Following the anecdotes, gossip and controversies of the industry, the essays employ critical analyses to fully unveil the Italian genre cinema, as well as its impact on films across the world.
Erasmus+
Work is now far advanced on a European Higher Education Area (EHEA) stretching across the EU and beyond. Ever since 1999, the Bologna Process has been steadily making higher education structures more compatible and comparable across borders. A vital part of that progress is the European Credit Transfer and Accumulation System (ECTS). Launched in 1989 as part of the Erasmus Exchange Programme, it is a way of transferring study credits that students earn abroad into credits that count towards their degrees once they are back home. Based on workloads and learning outcomes, it has now also become the system for credit allocation in many institutions' own degree programmes. Of course, once an ins...
