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*A SUNDAY TIMES BOOK OF THE YEAR 2021* 'Raw, tender and urgent' Jessica Andrews, author of Saltwater 'Irreducible. Once read, it will never be forgotten' Helen Mort, author of Division Street This is the story of an abortion. The days and hours before the first visit to the clinic and the weeks and months after. The pregnancy was a mistake and the narrator immediately arranges a termination. But a gulf yawns between politics and personal experience. The polarised public debate and the broader cultural silence did not prepare her for the physical event or the emotional aftermath. She finds herself compulsively telling people about the abortion (and counting those who know), struggling at work...
This is how history should be told to kids—with photos, illustrations, and captivating storytelling. From Newbery Honor medalist Susan Campbell Bartoletti and in time to celebrate the 100th anniversary of women's suffrage in America comes the page-turning, stunningly illustrated, and tirelessly researched story of the little-known DC Women’s March of 1913. Bartoletti spins a story like few others—deftly taking readers by the hand and introducing them to suffragists Alice Paul and Lucy Burns. Paul and Burns met in a London jail and fought their way through hunger strikes, jail time, and much more to win a long, difficult victory for America and its women. Includes extensive back matter and dozens of archival images to evoke the time period between 1909 and 1920.
Winner of the 2012 Outstanding Book Award in Cultural Studies, Association for Asian American Studies Puro Arte explores the emergence of Filipino American theater and performance from the early 20th century to the present. It stresses the Filipino performing body's location as it conjoins colonial histories of the Philippines with U.S. race relations and discourses of globalization. Puro arte, translated from Spanish into English, simply means “pure art.” In Filipino, puro arte however performs a much more ironic function, gesturing rather to the labor of over-acting, histrionics, playfulness, and purely over-the-top dramatics. In this book, puro arte functions as an episteme, a way of approaching the Filipino/a performing body at key moments in U.S.-Philippine imperial relations, from the 1904 St. Louis World’s Fair, early American plays about the Philippines, Filipino patrons in U.S. taxi dance halls to the phenomenon of Filipino/a actors in Miss Saigon. Using this varied archive, Puro Arte turns to performance as an object of study and as a way of understanding complex historical processes of racialization in relation to empire and colonialism.
California Dreaming is a multi-genre collection featuring works by Asian American artists based in California. Exploring the places of “Asian America” through the migration and circulation of the arts, this volume highlights creative processes and the flow of objects to understand the rendering of California’s imaginary. Here, “California” is interpreted as both a specific locale and an identity marker that moves, linking the state’s cultural imaginary, labor, and economy with Asia Pacific, the Americas, and the world. Together, the works in this collection shift previous models and studies of the “Golden State” as the embodiment of “frontier mentality” and the discourse ...
Though the Declaration of Independence stated that &“all men are created equal,&” married women and girls in the early days of the United States had few rights. For better or worse, their lives were controlled by their husbands and fathers. Married women could not own property, and few girls were educated beyond reading and simple math. Women could not work as doctors, lawyers, or in the ministry. Not one woman could vote, but that would change with the tireless efforts of Lucretia Mott, Lucy Stone, Elizabeth Cady Stanton, Sojourner Truth, Susan B. Anthony, Carrie Chapman Catt, Jeannette Rankin, Alice Paul, and thousands of women across the nation. Rightfully Ours tells of the century-lo...
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When future generations come to ask themselves when England lost it and what it lost, they will pick up The Paper Lantern' Michael Hofmann, TLS 'A remarkable achievement in a book that feels at once timely and deeply considered' Irish Times 'A book that speaks powerfully about what it is to be English and about the impact of coronavirus on our national psyche' Observer 'Will Burns is the new Defoe' Adelle Stripe Set in a shuttered pub - The Paper Lantern - in a village in the very middle of the country adjacent to the Prime Minister's Chequers Estate, an unnamed narrator embarks on a series of walks in the Chiltern Hills. As he charts and interrogates the shifts in mood and understanding that have defined a transformative period in his own history and that of the surrounding area, he reveals a past scarred with trauma and a present lacking compass. Traversing local raves in secret valleys, to climate change and capitalism, The Paper Lantern creates a tangible, lived-in complicated rendering of a place, at the moment when the very sense of place itself is being questioned.
Alice Paul redirected the course of American political history. Raised by Quaker parents in Moorestown, New Jersey, she would become a passionate and outspoken leader of the woman suffrage movement. In 1913, she reinvigorated the American campaign for a constitutional suffrage amendment and, in the next seven years, dominated that campaign and drove it to victory with bold, controversial action-wedding courage with resourcefulness and self-mastery. This riveting account of Paul's early years and suffrage activism offers fresh insight into her private persona and public image, examining for the first time the sources of Paul's ambition and the growth of her political consciousness. Though man...
"Published to accompany the exhibition Votes for Women: A Portrait of Persistence at the National Portrait Gallery, Smithsonian Institution, Washington, D.C. (March 1, 2019-January 5, 2020)"--Colophon.