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Lucy Pearson’s lively and engaging book examines British children’s literature during the period widely regarded as a ’second golden age’. Drawing extensively on archival material, Pearson investigates the practical and ideological factors that shaped ideas of ’good’ children’s literature in Britain, with particular attention to children’s book publishing. Pearson begins with a critical overview of the discourse surrounding children’s literature during the 1960s and 1970s, summarizing the main critical debates in the context of the broader social conversation that took place around children and childhood. The contributions of publishing houses, large and small, to changing ...
**Winner of the Sunday Times Young Writer of the Year Award 2018 and the Lonely Planet Adventure Travel Book of the Year 2019** 'Weymouth combines acute political, personal and ecological understanding, with the most beautiful writing reminiscent of a young Robert Macfarlane. He is, I have no doubt, a significant voice for the future' Andrew Holgate, Sunday Times literary editor 'Adam Weymouth takes his place beside the great travel writers' Susan Hill 'Dazzling' Kamila Shamsie, author of 'Home Fire' A captivating, lyrical account of an epic voyage by canoe down the Yukon River. The Yukon River is almost 2,000 miles long, flowing through Canada and Alaska to the Bering Sea. Setting out to ex...
Twenty-nine-year-old Grace Watts is feeling stifled in her marriage to David Watts, a successful real estate agent. He is financially secure, but is insensitive, unimaginative, sexually inept and sometimes cruel. As Grace seeks meaning in her life, David becomes annoyed at what he considers "erratic behavior" and frustrated that his wife refuses to let anybody dominate her. Furthermore, he is tempted by the affections of Lana Dyson, his colleague from the real estate agency who is waiting for his increasingly fragile marriage to disintegrate so that she can have him all to herself. However, Grace remains with him because she has a fear of being alone. Grace crosses paths with Anthony Parris, an artist who opts for one-night stands because of a fear of intimacy. She becomes disgusted when she sees him in the arms of many different women, but when she unwittingly attends one of his exhibitions, she becomes increasingly drawn to him herself. In turn, Anthony learns that Grace is a dependable confidant. As David begins to let Grace down more and more, Anthony proves - much to her surprise - to be a strong ally. But will he believe her when she expresses her feelings for him?
This volume discusses children's literature through the ages from fairy tales and early didactic literature through to the classics of the 19th and 20th centuries and the modern day.
After nearly a decade of dutifully climbing the corporate ladder to become a partner in a headhunting firm, Lucy Leonelli was feeling restless in a life that was seemingly mapped out for her, and she could not shake the sense that she was missing out on something... something out there. Realising that the answer was right in front of her – in a country so full of clandestine communities and colourful, eccentric characters – Lucy made the daring decision to hit the pause button on her career and hang up her suit in favour of a year exploring twenty-six wildly different subcultures. Over the next twelve months, she lived with battle re-enactors, circus performers, hill baggers, Morris danc...
A Black teacher searches for himself across the United States in this “emotive, brave” (Daily Mail, London) story for all of us who have fantasized about escaping our daily lives and starting over. Michael Kabongo is a British Congolese teacher living in London and living the dream: he’s beloved by his students, popular with his coworkers, and adored by his proud mother who emigrated from the Congo to the UK in search of a better life. But when he suffers a devastating loss, his life is thrown into a tailspin. As he struggles to find a way forward, memories of his fathers’ violent death, the weight of refugeehood, and an increasing sense of dread threaten everything he’s worked so ...
A laugh-out-loud, record-smashing adventure packed with heart, humour and a whole lot of kumquats, from JENNY PEARSON, the breakout talent of 2020, illustrated by Erica Salcedo
Kate Reddy is counting down the days until she is fifty, but not in a good way.
"From back-of-an-envelope list to flower-filled paradise - Brilliant and Wild: A Garden from Scratch in a Year gives even the most inexperienced gardener the chance to create a beautiful and wildlife-friendly outdoor space - from nothing - in just twelve months. This highly practical book shows how satisfying and surprisingly simple growing a garden from scratch can be, by: Providing clear step-by-step instructions for making a low-maintenance garden that will flourish within months and be fully established within a year. Focusing on perennial plants that are easy to grow, loved by wildlife and look more beautiful every year. Illustrating the text with photographs showing the author making her new perennial garden in just one year"--Publisher's description
African Spirituality in Black Women’s Fiction: Threaded Visions of Memory, Community, Nature and Being is the nexus to scholarship on manifestations of Africanisms in black art and culture, particularly the scant critical works focusing on African metaphysical retentions. This study examines New World African spirituality as a syncretic dynamic of spiritual retentions and transformations that have played prominently in the literary imagination of black women writers. Beginning with the poetry of Phillis Wheatley, African Spiritualityin Black Women’s Fiction traces applications and transformations of African spirituality in black women’s writings that culminate in the conscious and deliberate celebration of Africanity in Hurston’s Their Eyes Were Watching God. The journey from Wheatley’s veiled remembrances to Hurston’s explicit gaze of continental Africa represents the literary journey of black women writers to represent Africa as not only a very real creative resource but also a liberating one. Hurston’s icon of black female autonomy and self realization is woven from the threadwork of African spiritual principles that date back to early black women’s writings.