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During the eighteenth and nineteenth centuries, thousands of books were customized with prints and drawings in a practice called extra-illustration. These books were often massively extended, lavishly bound, and prized by their owners as objects of display, status, and exchange. The scale of these compilations as well as their interdisciplinary nature - at once literary texts, printed books, art collections, and indexes of visual culture - have typically excluded them from histories of art and literature.0In this book, Lucy Peltz maps a history of extra-illustration and its social and cultural meanings, providing a fascinating account of the practice itself and the often colourful personalities who engaged in it. The remarkable contents of key extra-illustrated books are explored, along with the broader historical and commercial contexts in which they were produced and enjoyed.
Through a fascinating narrative and 65 illustrations, including portraits, prints and caricatures, the extraordinary vigour of the bluestockings, 18th-century foremother to feminism, is rediscovered. In addition, inspirational women in the public eye today contribute their thoughts on the legacy of the bluestockings.
This fully revised edition of the History of Art: A Student's Handbook introduces students to the kinds of practices, challenges, questions and writings they will encounter in studying the history of art. Marcia Pointon conveys the excitement of Art History as a multi-faceted discipline addressing all aspects of the study of media, communication and representation. She describes and analyses different methods and approaches to the discipline, explaining their history and their effects on the day-to-day learning process. She also discusses the relationship of Art History to related disciplines including film, literature, design history and anthropology. The fifth edition of this classic text ...
First published in 1999, this volume examines antiquarianism which had its roots in Renaissance thought and was a popular intellectual and cultural pursuit throughout the eighteenth and nineteenth centuries. The antiquarian work of collecting, compiling and presenting material which exposed the past was seminal to the formation of social and national identities. These essays evaluate the cultural and poltical implications of antiquarianism in the period 1700-1850. The volume also considers how the antiquarians laid the foundations of later museum culture and the discipline of history. With a preface by Stephen Bann and introduced by Martin Myrone and Lucy Peltz, Producing the Past has contributions from Stephen Bending, Alexandrina Buchanan, Susan A. Crane, David Haycock, Maria Grazia Lolla, Heather MacLennan, Martin Myrone, Lucy Peltz, Annegret Pelz, Sam Smiles and Johann Reusch.
This book traces the transformation of history from a Romantic literary pursuit into a modern academic discipline during the second half of the nineteenth century, and shows how this change inspired Victorians to reconsider what it meant to be a historian. This reconceptualization of the ‘historian’ lies at the heart of this book as it explores how historians strove to forge themselves a collective scholarly persona that reflected and legitimised their new disciplinary status and gave them authority to speak on behalf of the past. The author argues that historians used the persona as a replacement for missing institutional structures, and converted book parts to a sphere where they could...
In the eleventh century, the Bible was available only in expensive and rare hand-copied manuscripts. Today, millions of people from all walks of life seek guidance, inspiration, entertainment, and answers from their own editions of the Bible. This illustrated book tells the story of what happened to the ancient set of writings we call the Bible during those thousand years. Anchoring the story in material evidencehundreds of different translations and versions of the BibleLori Anne Ferrell discusses how the Bible has been endlessly retailored to meet the changing needs of religion, politics, and the reading public while retaining its special status as a sacred text. Focusing on the English-sp...
The 'beauties' - women of note - who were welcomed to the National Portrait Gallery's early collection were those whose lives and portraits were recognized as significant to the 'civil, ecclesiastical and literary history of the nation'. This brief was interpreted to include figures as diverse as the devout Lady Margaret Beaufort, and the entertaining Lady Emma Hamilton. History's Beauties, the first detailed study of this collection, maps a culture of femininity that reframes the Victorian fascination with women's domestic and sentimental presence by locating it within a Parliament-centred 'national' culture.
At the beginning of the twenty-first century, the East End of London is the locus for thousands of painters, sculptors, photographers, and printers who have transformed a largely neglected area into a vibrant creative quarter. The migration of artists and galleries to the East End over the last thirty years is only the latest example of the regeneration of a hitherto unpromising part of the city. Throughout the seventeenth, eighteenth, and nineteenth centuries, the City, the fashionable areas of Covent Garden, Hampstead, Kensington, and "Bohemian" Chelsea were all colonized in their turn by artists, reflecting the parallel development of the artist's identity from artisan to respectable gent...
Taking up a little-known story of education, schooling, and missionary endeavor, Helen May, Baljit Kaur, and Larry Prochner focus on the experiences of very young ’native’ children in three British colonies. In missionary settlements across the northern part of the North Island of New Zealand, Upper Canada, and British-controlled India, experimental British ventures for placing young children of the poor in infant schools were simultaneously transported to and adopted for all three colonies. From the 1820s to the 1850s, this transplantation of Britain’s infant schools to its distant colonies was deemed a radical and enlightened tool that was meant to hasten the conversion of 'heathen' ...
In a recent sale catalog, one bookseller apologized for the condition of a sixteenth-century volume as "rather soiled by use." When the book was displayed the next year, the exhibition catalogue described it as "well and piously used [with] marginal notations in an Elizabethan hand [that] bring to life an early and earnest owner"; and the book's buyer, for his part, considered it to be "enlivened by the marginal notes and comments." For this collector, as for an increasing number of cultural historians and historians of the book, a marked-up copy was more interesting than one in pristine condition. William H. Sherman recovers a culture that took the phrase "mark my words" quite literally. Bo...