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A Country to Call Home
From the editor of A Country of Refuge comes an anthology of writing on one of the defining issues of our time; focusing on the fate of refugee children and young adults, it is aimed at children and adult readers alike. There are tales of home, and missing it; poems about the dangerous journeys undertaken and life in the refugee camps; stories about prejudice, but also stories of children’s fortitude, their dreams and aspirations. A Country to Call Home implores us to build bridges, not walls. It is intended as a reminder of our shared humanity, seeking to challenge the negative narratives that so often cloud our view of these vulnerable young people, and prevent us giving them the empathy they deserve. The book will include stories, flash fiction, poetry and original artwork from some of our finest children’s writers: Michael Morpurgo, David Almond, Chris Riddell, Moniza Alvi, Simon Armitage, Sita Brahmachari, Eoin Colfer, Kit de Waal, Peter Kalu, Judith Kerr, Patrice Lawrence, Anna Perera, the late Christine Pullein-Thompson, Bali Rai and S. F. Said.
A Country of Refuge
A Country of Refuge is a poignant, thought-provoking and timely anthology of writing on asylum seekers from some of Britain and Ireland’s most influential voices. Compiled and edited by human rights activist and writer Lucy Popescu, this powerful collection of short fiction, memoir, poetry and essays explores what it really means to be a refugee: to flee from conflict, poverty and terror; to have to leave your home and family behind; and to undertake a perilous journey, only to arrive on less than welcoming shores. These writings are a testament to the strength of the human spirit. The contributors articulate simple truths about migration that will challenge the way we think about and act towards the dispossessed and those forced to seek a safe place to call home.
The Good Tourist
"As the ethical market grows, responsible travel and the protection of human rights are becoming common currency. For anyone interested in ethical travel and civil liberties, The Good Tourist highlights various corners of the world where the dream ticket and human rights violations collide." "Behind the island paradises, panoramic views, and historical sites there often lies a much misaligned - and tragic - story. Using her twenty-year experience in the field of human rights, as well as personal anecdotes and the testimonies of survivors, Lucy Popescu explores the various abuses that often go unnoticed or are carefully hidden from the tourist, from torture in the Maldives, children's rights in South Africa, slave labour in the US, indigenous rights in Australia to execution in Iran. Taking inspiration from the ethical flying drive and the growing rise in investment of projects to offset carbon emissions, this book is also a practical guide to what can be done after one's holiday to help a worthy cause or support a people."--BOOK JACKET.
A God in Every Stone
A stunning new novel from the Granta Best of Young British, Orange shortlisted author of Burnt Shadows
Peace Talks
'A moving and direct study of frailty, love and time and luck and grief' Guardian Edvard Behrends is a diplomat, highly regarded for his work on international peace negotiations. Under his arbitration, unimaginable atrocities are coolly dissected; invisible lines, grown taut and frayed with conflict, redrawn. In his latest post, Edvard has been sent to a nondescript hotel in the Tyrol. High up on this mountain, the air is bright and clear. He confides in no one – no one but his wife Anna. Anna, who he loves with all his heart; Anna, always present and yet forever absent.
Beyond Mothers, Monsters, Whores
Beyond Mothers, Monsters, Whores takes the suggestion in Mothers, Monsters, Whores that it is important to see genderings in characterizations of violent women, and to use critique of those genderings to retheorize individual violence in global politics. It begins by demonstrating the interdependence of the personal and international levels of global politics in violent women's lives, but then shows that this interdependence is inaccurately depicted in gender-subordinating narratives of women's violence. Such narratives, the authors argue, are not only normatively problematic on the surface but also intersect with other identifiers, such as race, religion, and geopolitical location.
My Pen Is the Wing of a Bird
A landmark collection: the first anthology of short fiction by Afghan women that are "powerful, profound, and deeply moving" (Elif Shafak, author of The Island of Missing Trees, a Reese's Book Club pick) "My pen is the wing of a bird; it will tell you those thoughts we are not allowed to think, those dreams we are not allowed to dream." Eighteen Afghan women living in, speaking about, and writing from the country itself tell stories that are powerful and illuminating, unique and universal - stories of family, work, childhood, friendship, war, gender identity, and cultural traditions. A woman's fortitude saves her village from disaster. A teenager explores their identity in a moment of quiet....
A Country of Refuge
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Refugee Tales
Two unaccompanied children travel across the Mediterranean in an overcrowded boat that has been designed to only make it halfway across… A 63-year-old man is woken one morning by border officers ‘acting on a tip-off’ and, despite having paid taxes for 28 years, is suddenly cast into the detention system with no obvious means of escape… An orphan whose entire life has been spent in slavery – first on a Ghanaian farm, then as a victim of trafficking – writes to the Home Office for help, only to be rewarded with a jail sentence and indefinite detention… These are not fictions. Nor are they testimonies from some distant, brutal past, but the frighteningly common experiences of Euro...
Why the Child is Cooking in the Polenta
A nomadic family of circus performers, refugees from Romania, travels through Europe and Africa by caravan. The mother's death-defying act causes constant anxiety for her two daughters, who voice their fears through a grisly communal fairy tale about a child being cooked alive in polenta--but their real life is no less of a dark fable, and one that seems just as unlikely to have a happy ending. An actor and performance artist as well as a poet and novelist, Veteranyi was acclaimed for her seemingly "artless" narrative voice, in which pain and hilarity always vie for the upper hand--a voice at once lyrical and jaded, prurient and spiritual, comical and horrifying.
